Wednesday, December 13, 2017

Introducing the Literary Forum!

As some of you may may be aware, the Compuserve Books and Writers Community will be shutting down on Friday, December 15.  This online forum, in its various incarnations, has been Diana Gabaldon's main online hangout for more than thirty years. I've been hanging out there on a daily basis since 2007, managing the discussions (aka "herding the bumblebees") in Diana's section of the forum.

We have a thriving and very active online community there, and while we were initially stunned and devastated by the news of the forum's closing, the forum staff immediately began looking for a new online home. We've been working hard over the past month to get everything ready.



I'm delighted to announce the opening of the Literary Forum!  The forum software has changed, but the structure and purpose of the forum itself is basically the same as it was before. The Literary Forum is a community of readers, writers, book-lovers, and fans of All Things OUTLANDER.

And speaking of OUTLANDER:  Yes, in case you're wondering, Diana Gabaldon will be posting there, participating in discussions and answering questions, just as she always has.

Please come and check out the new forum at https://thelitforum.com.  You'll need to register in order to read or post on the forum, but it's free.  Keep in mind that the username you choose when you sign up will be the name that appears beside your posts on the new forum. 

If you have questions after you've signed up, please post on the new forum (rather than leaving a comment here), and we'll do our best to try to help.

Sunday, December 10, 2017

Episode 313: "Eye of the Storm" (SPOILERS!)

Here are my reactions to Episode 313 of the OUTLANDER TV series, titled "Eye of the Storm". I thought this was a terrific episode, well-written, suspenseful, and very faithful to the book. A wonderful way to end Season 3!

*** SPOILER WARNING!! ***

There are SPOILERS below! If you don't want to know yet, stop reading now.


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Here are my reactions to OUTLANDER Episode 313, "Eye of the Storm":
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The episode opens with a dream-like sequence, accompanied by Claire's voice-over: "I was dead. Everything around me was a blinding white, and there was a soft, rushing noise like the wings of angels. I felt peaceful and bodiless, free of terror, free of rage, filled with quiet happiness."

This is a direct quote from VOYAGER chapter 63 ("Out of the Depths"), but I thought it was an odd choice for the "title card" of this episode, when we'd last left Claire alive and unharmed, watching Jamie being dragged off by Captain Leonard's men. Even for book-readers who know what it means, IMHO to begin at the end of the story like that is jarring.

The scene where Claire watches a procession of black people with torches marching down the road is visually interesting, but also somewhat puzzling. Are they escaped slaves -- maroons?  We never do learn the answer to that.

At the inn, Fergus and Marsali discover that Claire has gone in search of Young Ian.

"Fergus Fraser. I'm your wife. I'm going with you." That's a very Claire-like sentiment, coming from Marsali. <g>

Meanwhile, snooping around the grounds of Rose Hall in the dark, Claire encounters a rather mangy-looking dog, nosing around what turns out to be the corpse of a boy. And before we (or Claire) have time to recover from the shock of this discovery, the slave Hercules (who is huge, just as described in the book) grabs Claire from behind.

I love Young Ian's fury in the scene with Geillis:  "I'm tired of your bletherin'! So leave me be or get on with it, you BITCH!"

I absolutely loved the scene between Lord John and Captain Lieutenant Leonard of the Porpoise. David Berry was in top form, absolutely channeling Lord John!  The way John talks to young Leonard sounds exactly the way a (former) Lieutenant Colonel would dress down a junior officer who's overstepped his authority. Just perfect!

"I'm afraid the army takes a more traditional stance in these matters, preferring to grant a title of command only when it has been earned."

That's actually not true; as we've seen in Diana's books, British army officers at the time (including both Lord John and his brother Hal) actually bought their commissions. But I can understand the impulse to say it just to watch young Leonard squirm. <g>

"...before you dispossess him of his freedom." - nice turn of phrase there!

I like the way John says "Lieutenant Leonard" at the end, biting off each syllable.

I liked this exchange between John and Jamie:

"Seems we've been indebted to each other so many times, I lost count."
"Until the next time, then."

The scene with Geillis and Claire is very good. I like Geillis much better in this episode than in Episode 312. Seeing her in this scene, it's not difficult at all to envision her as the aged-up version of Geillis from Season 1, something I had a hard time doing in "The Bakra".

"I sacrificed all for you, and still you come into my home and lie to me."

Ha. That's rich, considering that Geillis lies about just about everything.

On the other hand, I do give Geillis points for doubting that Claire would ever voluntarily leave Jamie. <g> ("Not even war could part the two of ye.")

"I had to. For the safety of my child."  Even though it's been 20 years, my heart hurts for Claire, having to re-open that old wound.

"I've read better stories in Mills & Boon," says Geillis skeptically, referring to a well-known British publisher of romance novels.  And Claire, in desperation, produces the photos of Brianna as proof.

"You actually met her at the university in Inverness in 1968." Many of you will recall that meeting, from Episode 213 ("Dragonfly in Amber").

Geillis, on her late husband Greg Edgars: "He was one of my favorites. Handsome. Such a lovely c*ck." <snort!>

And while Claire is thinking of Jamie -- on the other side of the stones all those years, somehow drawing her to him -- Geillis has already moved on, plotting her next move, which will clearly have something to do with the "200-year-old baby".

In the next scene, Claire, locked in the guest room, hears Young Ian outside. Then there's a noise at her door. She raises the candlestick to bash the intruder over the head, and nearly hits Jamie instead. (I liked the parallel to the scene in Episode 105, "Rent", where she has a similar encounter with Jamie. <g>)

It's not entirely clear to me how Jamie managed to get into Claire's room, but I don't really care, as long as they're back together.

The scene with the dancers around the fire is exotic and mysterious, and I think the drums add considerably to the effect.

Notice that one of the men is wearing a crocodile headdress, just like Ishmael did in the book.

I love the way the scene flashes back to the dancers at Craigh na Dun from Episode 101 ("Sassenach"). That's very appropriate -- how could Claire not be thinking about the last time she witnessed something similar? -- and I thought it was a nice touch.

And suddenly Mr. Willoughby appears out of nowhere, and the dancers fall silent. His rapturous expression when he talks about Margaret Campbell seems way over the top to me. "She is the first woman to truly see me, the man that I am, and I see her. We wish to be together."

This, on the basis of a few hours' acquaintance?  Sorry, but I don't find that believable.  Even if they had a simultaneous "coup de foudre" moment, falling in love with each other at first sight, it's only been a day, at most, since the Governor's Ball where they met.

The scene with Margaret Campbell is suitably spooky and unnerving.

"I see you in an orchard of death, sown with blood.  I see the rabbit." And for those who didn't get the reference, we see a brief glimpse of Jamie lying wounded on the battlefield after Culloden in Episode 301 ("The Battle Joined"), and the rabbit that appeared nearby.

"I see a bird on a windowsill. He sings to you when you are sorrowful -- but you hear him [meaning Jamie]." This, of course, is a reference to the bird that Claire saw through the window of her house in Boston, in that same episode, at a time when she was still grieving deeply for Jamie.

Margaret Campbell speaking in Brianna's voice is not nearly as eerie and spine-tingling as it is in the book (the audio version of this scene always gives me chills!), but I suppose they weren't able to have Sophie Skelton dub those few lines. Oh, well.

And here comes Archie Campbell.  Mr. Willoughby looks at him with utter contempt: "You are not welcome here."

I thought Claire was a little slow to get the point about the "200-year-old baby". After all, Geillis mentioned it only a short time before, when she saw the photos of Brianna. But it's only now that Claire seems to make the connection to Bree.

The next sequence must have been complicated to film. There are actually three separate storylines taking place simultaneously:

- Claire and Jamie, realizing that one of the photos is missing and Geillis must have stolen it
- The confrontation between Archie Campbell and Yi Tien Cho
- The dancers around the fire, who are now engaged in some sort of ritual involving sacrificing a rooster and drinking its blood

With so much going on at once, it's hard to know what to pay attention to.  If you're not watching closely, you'll miss the point where Yi Tien Cho kills Archie Campbell. (Right after Jamie and Claire talk about Abandawe.)

When Jamie and Claire return to the fire, they're startled to see the black man in the crocodile headdress drinking blood. As disturbing as that is to watch, it's somewhat less so than the scene in the book:
[Margaret] clutched the gurgling, struggling trussed carcass tight against her bosom, crooning, “Now, then, now, then, it’s all right, darling,” as the blood spurted and sprayed into the teacup and all over her dress.

The crowd had cried out at first, but now was quite still, watching. The flute, too, had fallen silent, but the drum beat on, sounding much louder than before.

Margaret dropped the drained carcass carelessly to one side, where a boy darted out of the crowd to retrieve it. She brushed absently at the blood on her skirt, picking up the teacup with her red-swathed hand.

“Guests first,” she said politely. “Will you have one lump, Mrs. Malcolm, or two?"

(From VOYAGER by Diana Gabaldon, chapter 61, "The Crocodile's Fire". Copyright© 1994 by Diana Gabaldon. All rights reserved.) 
Just before Jamie turns to leave, notice that one of the men around the fire has put on Campbell's wig.

As they approach Abandawe, a circle of standing stones is clearly visible on the hill ahead of them. So the cave presumably lies directly underneath the stone circle.

"We lost Faith. We will not lose Brianna."  Great line, and a touching reminder that Jamie has never forgotten their first daughter.

Meanwhile, in the cave, Geillis is laying out gemstones in a patten on the floor.  Young Ian lies nearby, bound and gagged.

I love the way Geillis's eyes bug out as she says, "I have to, Claire. For the greater good."  She looks truly insane there.

I found it a little hard to follow the action at the end of the fight. Here's what I think happened, as best I can make it out:

Jamie picks up the dirk and holds it to Hercules' throat. Geillis says, "This is God's will," and starts toward the pool of water that Claire has guessed must be the time portal.  Claire screams, "NOOOO!!" and lunges for Hercules' machete, lying forgotten on the floor.  And then Claire rushes at Geillis with the machete, with the full force of her body and her rage behind it. The blade catches Geillis full in the throat, and she falls dead.  Jamie lets Hercules go, saying, "You're free."

While Jamie unties Young Ian, Claire stands there, frozen with shock, the bloody machete still in her hand, staring at Geillis's body on the floor. Then the portal starts making an unearthly sound, and she starts toward it, only to be pulled back by Jamie at the last second. I thought that was very well done.

Just before they leave the cave, notice Young Ian gathering up the gemstones. (Good thinking!)  Jamie grabs the singed photo of Brianna, and they make their escape.

"I knew you'd come, Uncle Jamie. But ye left it a bit late, aye?"  This line comes straight from the book.

Meanwhile, Claire is still in shock, as she realizes that she actually held Geillis's skull in her hands, in 1968.  I thought this bit was really well done, even better than the very subtle way it's done in the book.

"But first I must hold you both," Jamie says, gathering Claire and Ian into his arms. I loved that!

The "noises ye don't make" scene, aboard the Artemis, is one of my favorites from VOYAGER, and Sam and Cait did a fantastic job with it!  The whole scene is almost word-for-word from the book. Perfect, just perfect!!

The hurricane sequence is amazing, riveting to watch, and it must have been immensely complicated to film.  My first thought, watching the rain pounding on the deck, was, "Didn't anybody check the Weather Channel?"  I was kidding, of course, but it really underscores how difficult and dangerous a sea voyage could be in those days: completely at the mercy of the weather, with no ability to predict even the most massive storms in advance.

So Claire goes up on deck, leaving Fergus, Marsali, and Young Ian below, which doesn't strike me as a very safe place to be in a storm like that. Not that anywhere on the ship is safe, but how would they get out if the ship started to sink?

The sight of the mast breaking is terrifying!  For a moment, Claire and Jamie lean on the rail, and it looks like they might be safe. Then they look up, and see this monster wave coming!  I liked the look on Jamie's face when he realizes Claire has gone overboard.

The underwater scene where Jamie rescues Claire is fascinating to watch.  There's a sort of mystical quality to it, like an underwater ballet.  Still, I wish they hadn't shown part of this scene already to open the episode. I felt a bit cheated, thinking, "As beautifully filmed as this is, as lovely as the words are, why are they showing it to us twice?"

"Damn you, Sassenach, if you die here now, I swear I'll kill you!"  This is very close to the line in the book.

The camera pulls away slowly, showing the two of them floating in a vast, vast ocean.  And then it pulls back still further, until we can see that they are in fact in the literal "eye of the storm".  I thought that was very cool!

The next scene, where they wake on the beach, is not in the book, but I thought it was well done. Jamie is clearly terrified that Claire is dead, until he kisses her and, like Sleeping Beauty, she awakens.

"I thought you were dead."
"I told you I'd never leave you again."

I love that!

At the very end, Jamie and Claire are in each other's arms, hugging so tight that you feel they'll never let go. <g>  And I have the same peaceful, contented feeling I always get at the end of VOYAGER:  Jamie and Claire have no idea what's coming next, but whatever happens, they'll face it together.

What a terrific way to end the season!  I loved this episode, and I think the whole cast and crew did a great job.
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I hope you enjoyed this recap.  Look here for my recaps of all of the OUTLANDER episodes so far.

Sunday, December 3, 2017

Episode 312: "The Bakra" (SPOILERS!)

Here are my reactions to Episode 312 of the OUTLANDER TV series, titled "The Bakra".

*** SPOILER WARNING!! ***

There are SPOILERS below! If you don't want to know yet, stop reading now.


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The episode opens with Young Ian's kidnapping by pirates. John Bell is very good here, furious and resisting them in any way he can.

The next thing we know, Young Ian arrives on Jamaica and is promptly tossed into a cell of some kind. The story the boy Henry tells is terrifying, but I thought his voice sounded odd: dull, lifeless, almost without emotion.

We get our first look at the exterior of Rose Hall, as Ian is taken to see the Bakra.

I didn't like Geillis's "blood bath" at all!  I thought it was really disgusting, to the point where I could hardly stand to watch, even though I kept telling myself the blood was fake.

Ian does his best to withstand Geillis's questioning, until he drinks the second cup of tea:

"What are you thinking?"
"That maybe my uncle took the jewel."
"Why do ye think that?"
"Because he's the only one who kent where the treasure was."

Ian's reaction throughout this bit is just priceless! I loved it.  And Lotte Verbeek is excellent as Geillis, as always.

The title card shows the treasure-box and what is clearly meant to be Geillis's hand digging through the jewels, looking for three sapphires -- and frustrated and angry at finding only two.

Meanwhile, the Artemis arrives at last at Jamaica, and almost immediately Jamie and Claire encounter Kenneth McIver, an employee of Jared's.  I liked McIver, played by James McAnerney.  He has a friendly face, and it's a relief to see someone who welcomes them with open arms, especially in contrast to Mamacita in last week's episode.

As Jamie and Claire walk away, I realized that Claire was still wearing the remains of the "batsuit", which looks remarkably undamaged considering everything she's been through!

The visit to the slave market is very much as described in the book, except for the part where we learn that the new governor of Jamaica bought all of the Bruja's slaves. Why would Lord John do that?

The horrific scene where the slave girl is branded comes straight from the book, and I liked Claire's reaction, looking very much as though she's trying to keep from throwing up.

The scene at the slave auction is really well done, every bit as I've always imagined it from the book.  Jamie's entrance reminded me very much of how he shoved his way through the mob at the witch-trial in Season 1.

Claire is understandably horrified at the news that Jamie has bought the slave in her name.

"The bill of sale needed a name to make it legal," Jamie says, "and you were the one who wanted me to do it."

Huh??  It's true that the book doesn't say exactly why the bill of sale has Claire's name on it, rather than Jamie's, but I think this is a really lame excuse, very uncharacteristic of Jamie.

"We'll keep him safe. Take him wi' us and set him free when it means he truly can be."

This, on the other hand, rings true to me, and I thought it was a good line.

I liked the scene with Claire and Temeraire. I think it was a good decision on the part of the writers to have Temeraire be from Jamaica, rather than newly arrived from Africa. Not only does he speak and understand English (which Book Temeraire did not), but he's familiar enough with the local conditions on Jamaica to be able to be of help to Jamie and Claire, so we see him as much less of a victim than he was in the book.

And if Temeraire does what Jamie wants, "we shall be indebted to ye."  I like that. It's a change from the book, but it's a logical reason for Temeraire to help them, and it makes sense.

Meanwhile back at Rose Hall, Geillis is meeting with Archibald Campbell and his mad sister Margaret, and she is not happy, to put it mildly.

I liked the mention of the "Brahan Seer", though the nature of the prophecy is quite different here than it was in the book.

"The prophecy states that a seer must hold all three sapphires at once. 'Tis the only way I'll ken when the new Scottish king will rise."

In the book, Archibald Campbell explains the prophecy to Claire as follows:
"This is the original language of the prophecy,” he said, shoving Exhibit A under my nose. “By the Brahan Seer; you’ll have heard of the Brahan Seer, surely?” His tone held out little hope, but in fact, I had heard of the Brahan Seer, a sixteenth-century prophet along the lines of a Scottish Nostradamus.

“I have. It’s a prophecy concerning the Frasers?”

“The Frasers of Lovat, aye. The language is poetic, as I pointed out to Mistress Abernathy, but the meaning is clear enough.” He was gathering enthusiasm as he went along, notwithstanding his suspicions of me. “The prophecy states that a new ruler of Scotland will spring from Lovat’s lineage."

(From VOYAGER by Diana Gabaldon, chapter 61, "The Crocodile's Fire". Copyright© 1994 by Diana Gabaldon. All rights reserved.)
"[Dougal] died a hero in the Battle of Culloden," Geillis tells them. Oh, really? That's not the way I heard it!

Later that evening, the Frasers, plus Mr. Willoughby, arrive at the Governor's ball, dressed in finery the likes of which we haven't seen since Jamie and Claire were in Paris.

"You look like a dandy," Marsali says, and she's right.

I liked the way Terry Dresbach "repurposed" some of the costumes from Season 2 here.  The gown Claire is wearing, for example, is based on one she wore in Episode 202, "Not in Scotland Anymore".

"You are a vision, mo nighean donn. To look at you, we could be back at Versailles."
"That was a very long time ago."
"Ye look as 'twas yesterday."

Awwwww! That's sweet. Sam is not bad-looking in that wig, either. <g>

And then Claire encounters Archibald Campbell on her way into the ball. "His sister Margaret was my patient in Edinburgh," she tells Jamie. I was not pleased at the reminder of that awful scene from Episode 307, "Crème de Menthe", where Claire is in such a hurry to tend to her patient that she doesn't seem to care about Jamie at all, even though it's been less than 48 hours after their reunion. 

But putting that aside....

It's very sobering to hear Claire telling Jamie when slavery will end. Whether the answer is 70 or 100 years from now, it makes no difference. They'll be long since dead before it happens.

The lady's curiosity about Yi Tien Cho, and Jamie's introduction of the Chinaman, come straight from the book. And then Yi Tien Cho takes one look at Margaret Campbell, telling fortunes across the room, and he is clearly smitten. I didn't expect that at all, and I'm not quite sure what to make of it. Is Yi Tien Cho in love with her, or just attracted by her strangeness?

Finally, Jamie catches sight of the Governor, and is shocked when he sees who it is: Lord John Grey, former governor of Ardsmuir prison, and stepfather to Jamie's son Willie.

"Perhaps it's because of your coming through the stones?"
"Perhaps what is?"
"The ghosts that keep coming into our lives, drawn to us the way we are drawn to each other."

Well, perhaps. <g> The OUTLANDER universe does seem like an awfully small world sometimes!

I love the look of surprise and joy on Lord John's face as he recognizes Jamie.

And as they cross the ballroom, moving off to speak in private, we get our first sight of Geillis at the ball.

The scene between John, Jamie, and Claire is awkward and a little tense, but there's no particular dramatic tension or conflict here -- in marked contrast to the way Lord John's appearance is handled in the book, where it comes as a huge shock, both to Claire and to the reader.
My hands trembled so violently that I nearly dropped [the miniature]. I set it back on the desk, but kept my hand over it, as though it might leap up and bite me. Grey was watching me, not without sympathy.

“You didn’t know?” he said.

“Who—” My voice was hoarse with shock, and I had to stop and clear my throat. “Who is his mother?”

Grey hesitated, eyeing me closely, then shrugged slightly.

“Was. She’s dead.”

“Who was she?” The ripples of shock were still spreading from an epicenter in my stomach, making the crown of my head tingle and my toes go numb, but at least my vocal cords were coming back under my control. I could hear Jenny saying, He’s no the sort of man should sleep alone, aye? Evidently he wasn’t.

“Her name was Geneva Dunsany,” Grey said. “My wife’s sister.”

My mind was reeling, in an effort to make sense of all this, and I suppose I was less than tactful.

“Your wife?” I said, goggling at him. He flushed deeply and looked away. If I had been in any doubt about the nature of the look I had seen him give Jamie, I wasn’t any longer.

(From VOYAGER by Diana Gabaldon, chapter 59, "In Which Much is Revealed". Copyright© 1994 by Diana Gabaldon. All rights reserved.)
I have always loved that scene in the book. I've known for weeks that we weren't going to get to see it in the show, but I'm still disappointed.

"He's a good lad. I've missed him," Jamie says. Understatement!!

The pace of the episode slows way down at this point, and stays that way for quite a while.

"The sapphire you gave me at Ardsmuir. I wear it to--remember our friendship."  I like the idea that Lord John wears it openly, not hidden away in his pocket.

Outside, by a fountain, Mr. Willoughby comes to speak to Margaret Campbell.

"You are a rare soul."
"And you are rarer still."

Um, why? I don't get it. He takes one look at her and falls instantly in love? We have no idea if Margaret might have feelings for him in turn, and why would she? She's never laid eyes on him until this evening, and they've never so much as spoken to one another until now.

Their instant attraction just doesn't make sense to me. It feels contrived, as though the writer had a particular goal in mind as the end point for this subplot (that's speculation on my part, as we still don't know how this is going to end) and arranged their attraction to serve that goal, rather than letting their relationship develop naturally.

Meanwhile, back at the ball, Lord John comes to speak to Claire. More polite small talk about the drinks, which I found boring and repetitive, echoing as it does J&C's earlier conversation at this very ball. 

Then they discuss their infamous first meeting before the Battle of Prestonpans. Lord John has always viewed that encounter as highly embarrassing, one of the most humiliating moments of his life, and yet they stand there reminiscing about it -- and about Geneva and Willie -- as though he and Claire are old friends.  No conflict, no dramatic tension, no strong feelings (of jealousy or anything else) in evidence at all, as far as I can see.  Their conversation is very civilized, very cordial, but I just don't find it interesting at all. And so it feels like the episode is dragging interminably.

"Well, it certainly is a pleasure to finally meet the love that was his every heartbeat."

That's unusually poetic of John, but Claire doesn't respond to it, only smiles and turns away.  And then she sees Geillis -- and finally, things start to get interesting again!

I really don't like that wig Geillis is wearing. It's unflattering and awkward-looking, IMHO, especially in contrast to the way the other ladies are wearing their hair.

Notice the "dancers at Craigh na Dun" music as Claire goes outside in search of Geillis. Nice touch!

"Of all the gin joints in all the towns in all the world."  Geillis quoting from CASABLANCA made me laugh out loud. Great way to remind the TV viewers that Geillis, like Claire, is a time-traveler from the 20th century.

Geillis's story about how she avoided being burned as a witch comes almost word-for-word from the book.

Is it just my imagination, or is Lotte's Scottish accent better now than it was in Season 1?

The little black coral fish on Claire's necklace comes from the book, and it was indeed a gift from Jamie.

Back in the ballroom, Geillis is introduced to Lord John, and at once notices the sapphire he's wearing.

"Given to me by a friend."
"Given to you by a prisoner," Jamie corrects him.
"Well, I tend to omit that detail."

Good line.

I didn't like seeing Lord John agree to have his fortune told by Margaret the seer. John has real secrets, the sort that would put his life in danger if anyone found out, and I don't think he would risk being exposed in public like that, in front of a ballroom full of partygoers.  Imagine what would have happened if Margaret had had a vision of Lord John in the throes of passion with Percy Wainwright, or if she'd blurted out something about how much he's attracted to Jamie Fraser?

Margaret, for her part, is clearly in distress.

"This'll bring death. I can feel it."
"Oh, can ye now? Ye'll do it anyway, or I'll get out the stick!"

That took me by surprise. I had no inkling that Archibald Campbell might have been abusing his poor sister in any way.

I liked the way Margaret's eyes pop wide open right before she begins to speak.

"When twice 1200 moons have coursed
Tween man's attack and woman's curse,
And when the issue is cut down,
Then will a Scotsman wear a crown."

And the sapphire falls into Margaret's hand, but Lord John doesn't seem to notice. I really hope he gets it back!

"A child that is 200 years old on the day of its birth" can only mean Brianna, of course.  But Geillis has no idea of Brianna's existence yet -- does she?

"I brought you here to tell me when it will happen, and instead ye give me the bloody case of Benjamin Button?" Another pop-culture reference. <g>

Meanwhile, Marsali and Fergus are having a quiet romantic moment, when it's interrupted by the arrival of British soldiers, led by Captain Leonard of the Porpoise.

Outside, Temeraire relays the news that Ian has been taken to Rose Hall.

"She lied to me!" Claire says, and I wonder how she could be so naive. Geillis lies about almost everything, and she always has -- sometimes for her own entertainment.

Temeraire leads them to a path where he says he can find the escaped slaves -- maroons -- and Jamie and Claire wish him well and let him go.

Moments later, they hear hoofbeats approaching, and Jamie shoves Bree's pictures and Willie's miniature into her hand "for safekeeping", seconds before Captain Leonard appears.

I loved Claire's reaction when Jamie is arrested. She's right to be furious with Captain Leonard.  "I am the only reason any of you survived!"

And as the episode ends, Jamie and Claire are separated (AGAIN!) and Jamie is under arrest (AGAIN!)  This is really getting old. Still, I don't suppose they'll stay apart for long. We've only got one episode left.
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I hope you enjoyed this recap. Please come back next week to see my reactions to the season finale.

Look here for my recaps of all of the OUTLANDER episodes so far.

Friday, December 1, 2017

November poll results

Here are the results of the November poll, which asked the question, "Would you go through the stones, if you could?"
    There were 879 responses to this month's poll. Thanks very much to everyone who participated.
    • 25.71% - Of course, if Jamie Fraser was waiting for me!
    • 21.5% - Maybe for a short visit, but not to live there permanently.
    • 10.69% - No. I like reading about it and/or watching it on TV, but I have no desire to time-travel myself.
    • 9.10% - Yes, but I'd have to bring some essential items with me.
    • 8.87% - No, I couldn't leave my family and friends here.
    • 8.53% - Yes! I'd love to see the 18th century.
    • 3.98% - No, I wouldn't survive in an earlier time.
    • 3.07% - No, I'd miss the conveniences of modern life too much.
    • 1.93% - I'm not sure.
    • 1.71% - No, it took a lot of hard work to live in the 18th century.
    • 1.37% - I don't believe time-travel is possible.
    • 0.91% - No, it sounds too dangerous.
    • 2.62% - Other
    Here are the responses for "Other":
    • The primitive state of dentistry in this period would put me off.
    • Only if I could come out the other side at least 40 years younger!!! :D
    • Maybe, provided I could bring someone with me.
    • If I lost my sense of smell, could not get sick or injured and could return back
    • I;m too old now...wish I'd been asked 30 yrs ago, I might have said yes!
    • Yes but I would travel to Egypt is African American Friendly
    • No way!
    • after the rapture I will travel space and time at the speed of light,,,yea
    • i would visit for awhile
    • Too old
    • It is only a matter of time before we time-travel!
    • If I could go back to the 1940's I would in a NY minute!
    • Yes, if I could go 200 years into the future.
    • If I were single I would go
    • Yes, on assumption I could return but might stay
    • Would need to be invisible.
    • No, I don't think I could survive!
    • maybe if I was in my 20's.
    • Yes. I'm just too old now.
    • Only to go back about 45 yrs and change some decis
    • No, my Jamie is here :)
    • Love Jamie but couldn't leave my kids
    • I'm black so, no.
    Please take a moment to vote in the December poll, which is all about your favorite gifts from Diana Gabaldon's books.

    Tuesday, November 28, 2017

    Interview with Sony's Chris Parnell

    Here's a very interesting audio interview with Sony TV's Chris Parnell from EW's OUTLANDER Live podcast. Among other things, he says:
    “In order to keep this show year by year and not have a Droughtlander, we had better start hustling on season 5 right now. I can tell you there are early talks on us doing that, to absolutely not have an extended Droughtlander like we’ve had before. That’s the goal.”
    Keep your fingers crossed!

    Click here to listen to the show.  The interview with Chris Parnell starts at about 28 minutes into the recording, and it's definitely worth listening to! His comments about Season 5 start at around the 41 minute mark.

    "I'm in this to tell Diana's story to completion," Chris says. I find that very reassuring!

    Sunday, November 26, 2017

    Episode 311: "Uncharted" (SPOILERS!)

    Here are my reactions to Episode 311 of the OUTLANDER TV series, titled "Uncharted". I really enjoyed this episode. An excellent adaptation of this part of the book!

    *** SPOILER WARNING!! ***

    There are SPOILERS below! If you don't want to know yet, stop reading now.


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    The opening shot of the turtle underwater is beautiful. Gorgeous creature!  I can only assume that's a hawksbill turtle, foreshadowing of later events. <g>

    I love the way they filmed Claire floating in the sea, half-underwater, half above. She's very lucky that her pack of supplies came ashore with her!

    I liked the way Claire sucked the moisture from the leaves and fashioned a crude shelter for herself. She has good survival skills!

    Notice the way she touches Jamie's ring, making it clear she's thinking about him.

    The scenery throughout this episode is gorgeous!

    I liked the way Claire went about lighting a fire. It's not easy -- this is a skill she'll struggle with even years later, when she's had plenty of practice -- but she managed it!

    The insects -- ants? -- crawling all over her legs made me shudder with revulsion. Ewwwww!!

    Making her way through the trees, Claire literally stumbles across a coconut. And there are more, up in the trees high overhead. But what good is a coconut if she has no means to open it?  Frustrating!

    On the second night, she lies awake listening to the jungle sounds, not bothering with a fire. But maybe that was a mistake, considering what she found when she woke the next morning! The huge snake took me totally by surprise. Yikes!! I couldn't help thinking that it's a good thing our Claire is not prone to panic attacks. <g> I was impressed by the way she managed to stay still until the thing slithered away. Maybe she was too frightened to scream, given her dehydrated state?

    Finally, she reaches civilization, hearing what must be Father Fogden's voice, preaching in English. And she collapses, only to be found by the dog, Ludo, a short time later.

    She wakes in a bed. There's a glass of water on the bedside table, but she can't reach it, because her hands are tied.

    Mamacita, played by Vivi Lepori, looks and acts very much as I imagined from the book. It's difficult to know what to make of her at first.  She seems to be holding Claire captive. Why? Does she mean her harm?

    "This was the only way to keep you from scratching. You need to rest," Mamacita says, in Spanish. (It's not clear if Claire understands her or not.)  That may well be true, but the initial impression of menace and barely contained hostility lingers.

    I liked Mamacita's reaction to the zipper. <g>  If she was hostile and suspicious before, now she has even more reason to be!

    And here's Father Fogden! Nick Fletcher is very good in this role, though he doesn't resemble my mental image of Father Fogden at all.

    Despite her dehydration and physical exhaustion, Claire has her wits about her. "I'm a doctor," she says, and when Father Fogden reacts with astonishment at the idea of a female doctor, she explains, "From the American colonies. It's more common there."  That was pretty quick thinking!

    "The island of Saint-Domingue" - Hispaniola, in other words.  From Wikipedia:
    Saint-Domingue may be used to refer to all of Hispaniola, or the western part in the French colonial period, while the Spanish version Hispaniola or Santo Domingo is often used to refer to the Spanish colonial period or the Dominican nation.
    And just when you think Father Fogden is reasonably lucid and talking sensibly, he starts taking advice from a coconut. <g> "Coco says it is far too dangerous."  The bit where he scolds Coco for staring made me laugh out loud. The man may be a nut, but he's a harmless and lovable nut. And very funny!

    Mamacita may have a bad attitude, but she does provide a hot bath -- possibly the first one Claire has had since she came back through the stones -- so she can't be all bad.

    So Father Fogden keeps goats rather than sheep. I don't mind the change, especially since the producers evidently could not find sheep in South Africa.

    "The English invaded Cuba the very day we fled. It was impossible for Don Armando to locate us in the chaos which ensued."  Those of you who have read Diana Gabaldon's story, "Besieged", in SEVEN STONES TO STAND OR FALL, will recall that Lord John was nearby at the time, though that story makes no mention of Don Armando, Father Fogden, or Ermenegilda.

    Ermenegilda's story is tragic, but Father Fogden doesn't let his mood be dampened for long. I'm not sure what "yupa" is -- evidently hemp or marijuana or something similar?

    "I am a doctor, for Christ's sake! I think I know when I am fit to travel."
    "Madam Physician, blasphemous language is not permissible in my home."

    Oops! Claire's mouth gets her in trouble once again. <g>

    I liked the argument between Father Fogden and Mamacita. It gives Mamacita's character a little more depth.

    Meanwhile, Claire wanders into Ermenegilda's room and pockets a small looking-glass.

    "The agony of losing a daughter haunts her still." And of course that hits Claire very hard, thinking of Brianna.

    "When you love someone as much as I loved Ermenegilda, it never leaves you."
    "No. It doesn't."
    "You have loved someone so much that you would risk everything for them."

    And this, finally, is what convinces Father Fogden to help her -- on the condition that Coco agrees. <g> So the next morning, Claire makes a point of being overheard talking in a loud voice to the coconut, and apparently listening to its advice.

    A Chinese sailor killed Arabella? That can only be one man, of course.

    I liked the way Father Fogden handled Arabella's remains: very gently, as though she were a close friend or family member.  The scene with the beetles crawling all over Arabella's skull is based on a bit from the book, but in the book it was maggots. Either way: Ewwww!

    "Voracious little fellows. From a sacred cave called Abandawe."

    So does this mean that Father Fogden knows where Abandawe is?  That's good, because evidently Lawrence Stern isn't going to be there to show Claire how to get there.

    The mention of the Chinaman runs through Claire like an electric shock, and all of a sudden she has a million questions. But it's Mamacita who tells her where to find the ship, and I suppose we should be grateful to the old woman for that.

    Finally, here's Jamie! I thought the way Jamie and Fergus described what happened to the Artemis was a little awkward. I suppose it's tricky to recap events that the audience didn't witness without falling prey to the "As you know, Bob," syndrome, where the characters discuss things they already know.

    "Now [Raines and Warren] lie at the bottom of the sea with Mr. Murphy."

    Awwww, I'm sorry to hear that Mr. Murphy, ship's cook aboard the Artemis, didn't make it! That's a change from the book, of course.

    "I fear the Lord's wrath for my unholy thoughts." That surprises me a little, coming from Fergus, who doesn't strike me as a very religious person.  Jamie's reaction was pretty mild, IMHO, considering that Fergus is having "unholy thoughts" about his stepdaughter, Marsali.

    I love the way Hayes rolls his R's when he says, "Plenty of rrrrrum and rrrrrations!"

    Claire runs pretty fast through the jungle, considering that she's going over rough terrain!  Careless of her.  Still, from the point of view of the TV production team, it's far simpler, and cheaper, to have her injure her arm this way than going to the considerable trouble and expense of filming a pirate attack, so I can see why they did it this way, and it doesn't bother me.

    I thought Claire's signaling to Jamie with the little mirror was a clever idea.

    That scene with Claire and Jamie running toward one another and holding each other tight is wonderful!  It's almost like a dream, a fantasy that they both must have imagined, longed for, many times in those twenty endless years apart.

    Lesley: "Mac Dubh's wife turns up in the most unlikely of places, does she no?"
    Hayes: "Aye. She just drops in out of nowhere."

    I liked that. They're trying too hard to make these two into Rupert-and-Angus redux, though.

    And just like the book, Mr. Willoughby is the one who stitches the wound in Claire's arm. Fortunately for her, the gash is not nearly as long or as deep as the one she suffered in the book!

    "Dinna fash, Sassenach. I was a wanted man when first we met."
    "Yes, well, I didn't like it much then either."

    Good line!

    So Mr. Willoughby takes the blame for Arabella's death, and his sincere apology (and gift of a chicken) is enough for Father Fogden to forgive him. This isn't in the book, but I think it works pretty well here, as a way to get Father Fogden to officiate at the wedding.

    I liked the scene with Claire and Marsali very much. It's very close to the book.

    "I think [you and Jamie] enjoy being together." Understatement of the century!

    Fergus and Marsali's wedding is wonderful!!  And hilarious, almost as funny as the book version.

    "Not as though he's lost his c*ck. Um, he hasn't, has he?"
    "If ye'd hurry up and get on wi' it, I could find out."

    LOL! Good line from Marsali!

    "Fraser.  His name is Fergus Claudel Fraser."  Awwwwwww!!  This is perfect, just perfect!  Both the way Jamie looks when he says it, and the way Fergus reacts, are just as I always imagined from the book. Wonderful!!
    Fergus was the only name he had ever had--bar his original French name of Claudel. Jamie had given him the name Fergus in Paris, when they had met, twenty years before. But naturally a brothel-born bastard would have no last name to give a wife.

    "Fraser,” said a deep, sure voice beside me. Fergus and Marsali both glanced back in surprise, and Jamie nodded. His eyes met Fergus’s, and he smiled faintly.

    “Fergus Claudel Fraser,” he said, slowly and clearly. One eyebrow lifted as he looked at Fergus.

    Fergus himself looked transfixed. His mouth hung open, eyes wide black pools in the dim light. Then he nodded slightly, and a glow rose in his face, as though he contained a candle that had just been lit.

    (From VOYAGER by Diana Gabaldon, chapter 52, "A Wedding Takes Place". Copyright© 1994 by Diana Gabaldon. All rights reserved.)
    And as Fergus bends to kiss Marsali, he says, "Je t'aime, ma femme." I love you, my wife. Awwwww!

    Later, on board the Artemis, Claire is eating turtle soup. <g>  This scene is so iconic that many fans practically have it memorized, and Sam and Cait did a wonderful job with it!

    "You know, turtle is supposed to be an aphrodisiac."  Ha. As if they needed any help! <g>

    I love the way Claire practically crawls across the desk to get to Jamie. Both of them are just terrific here, throughout this whole scene, and I really appreciate the fact that the writers kept so much of the dialogue from the book.

    Willoughby's interruption is not nearly as funny as Stern's was in the book, but still, it's impossible not to giggle through this whole scene. What a way to end the episode!
    --------------------------------------
    I hope you enjoyed this recap. Please come back next week to see my reactions to Episode 312.

    Look here for my recaps of all of the OUTLANDER episodes so far.

    Thursday, November 23, 2017

    Happy Thanksgiving!

    Happy Thanksgiving to all of you who are celebrating today! Here are some Thanksgiving-themed quotes from the OUTLANDER books. This has become an annual tradition here on Outlandish Observations, and I hope you enjoy them!

    *** SPOILER WARNING! *** 

    If you haven't read all of the OUTLANDER books, you will encounter spoilers below! Read at your own risk.



    1) Roger and Brianna, hunting turkeys:
    "What a thing," he said. He held it at arm's length to drain, admiring the vivid reds and blues of the bare, warty head and dangling wattle. "I don't think I've ever seen one, save roasted on a platter, with chestnut dressing and roast potatoes."

    He looked from the turkey to her with great respect, and nodded at the gun.

    "That's great shooting, Bree."

    She felt her cheeks flush with pleasure, and restrained the urge to say, "Aw, shucks, it warn't nothin'," settling instead for a simple, "Thanks."

    (From THE FIERY CROSS by Diana Gabaldon, chapter 20, "Shooting Lessons". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
    I love this scene, especially for Roger's reaction. He's a little taken aback by her shooting skills, but his ego doesn't seem to be threatened by the fact that she's better at hunting (providing food for the family) than he is.



    2) Claire and Jamie receiving gifts from the local Native Americans, very much in the spirit of the Pilgrims' first Thanksgiving:
    Once the official introductions were over, Nacognaweto motioned to Berthe, who obediently brought out the large bundle she had carried, and opened it at my feet, displaying a large basket of orange and green-striped squash, a string of dried fish, a smaller basket of yams, and a huge pile of Indian corn, shucked and dried on the cob.

    “My God,” I murmured. “The return of Squanto!”

    Everyone gave me a blank look, and I hastened to smile and make exclamations--thoroughly heartfelt--of joy and pleasure over the gifts. It might not get us through the whole winter, but it was enough to augment our diet for a good two months.

    (From DRUMS OF AUTUMN by Diana Gabaldon, chapter 20, "The White Raven". Copyright© 1997 by Diana Gabaldon. All rights reserved.)


    3) Jocasta and Duncan's wedding feast:
    "Can ye not decide where to begin, Sassenach?" He reached down and took the empty wineglass from her hand, taking advantage of the movement to come close against her back, feeling the warmth of her through his clothes.

    She laughed, and swayed back against him, leaning on his arm. She smelled faintly of rice powder and warm skin, with the scent of rose hips in her hair.

    "I'm not even terribly hungry. I was just counting the jellies and preserves. There are thirty-seven different ones--unless I've missed my count."

    He spared a glance for the table, which did indeed hold a bewildering array of silver dishes, porcelain bowls, and wooden platters, groaning with more food than would feed a Highland village for a month.

    (From THE FIERY CROSS by Diana Gabaldon, chapter 46, "Quicksilver". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
    Most major holiday dinners give me this same feeling, although I can't say I've ever seen thirty-seven different varieties of *anything* at one meal before. <g>



    4) The "hearth blessing" on Fraser's Ridge:
    We blessed the hearth two days later, standing in the wall-less cabin. Myers had removed his hat, from respect, and Ian had washed his face. Rollo was present, too, as was the small white pig, who was required to attend as the personification of our "flocks," despite her objections; the pig saw no point in being removed from her meal of acorns to participate in a ritual so notably lacking in food.

    (From DRUMS OF AUTUMN by Diana Gabaldon, chapter 19, "Hearth Blessing". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
    Considering how successful that little homestead on the Ridge would prove to be, I think there must have been something extra-powerful in that blessing. <g> And I love the mention of the little white piglet, who will grow up to become the infamous White Sow. If this blessing was intended to ensure fertility on the part of that sow, it succeeded beyond their wildest dreams.



    5) The Selkirk Grace:
    [Hamish] glared round the table to insure that everyone was in a properly reverential attitude before bowing his own head. Satisfied, he intoned,

    "Some hae meat that canna eat,
    And some could eat that want it.
    We hae meat, and we can eat,
    And so may God be thankit.
    Amen."

    (From OUTLANDER by Diana Gabaldon, chapter 6, "Colum's Hall". Copyright© 1991 by Diana Gabaldon. All rights reserved.)
    Happy Thanksgiving! (And to those of you outside the U.S., best wishes for the holiday season.)  If you're looking for OUTLANDER-related food ideas, check out this OUTLANDER Thanksgiving Feast posted by Theresa Carle-Sanders, author of the OUTLANDER Kitchen cookbook.