Sunday, February 16, 2020

Episode 501: "The Fiery Cross" (SPOILERS!)



Here are my reactions to Episode 501 of the OUTLANDER TV series, titled "The Fiery Cross". Overall I thought this was an excellent episode, and a terrific way to start Season 5!

*** SPOILER WARNING!! ***

There are SPOILERS below! If you don't want to know yet, stop reading now.


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I loved the opening scene, with Murtagh and eight-year-old Jamie on the day of Ellen Fraser's death. Murtagh looks heartbroken, as well he might, considering how he felt about Ellen.

Most of Murtagh's dialogue here comes word for word from DRAGONFLY IN AMBER, chapter 19, "An Oath is Sworn", and I relaxed immediately, reassured by the familiar words.

"She's gone now, but I'll always be with ye. Always." This line from Murtagh made me cry. It's been less than three months since my own mother's death. But I liked the way Murtagh managed to get a half-smile from young Jamie. It helps to know you're not alone.

I won't comment in detail on the new opening credit sequence, since I already blogged about it here, but I will say that I like it more every time I watch it.

I liked the shaving scene with Roger and Jamie. I thought it was an effective way to establish their relationship right from the start. The line about the "cutthroat razor" comes from the opening chapter of THE FIERY CROSS, in which Roger did indeed cut himself shaving on the morning of his wedding.

Jamie's wig looks very good, a vast improvement from Season 4! It's a more mature, sober hairstyle, befitting a man who'll turn fifty soon, and with his hair tied in a proper queue, he looks -- finally!! -- like the 18th-century landowner he is. I'm very relieved to see this.

"Nervous?" Jamie asks Roger.
"About what the day has in store for me, or that you have a blade to my throat?"

Good line. This scene reminds me a little of the bit in Episode 106 ("The Garrison Commander") where Black Jack Randall shaves his young orderly.

I liked the way they explained that Bree and Roger would now be living in Jamie and Claire's old cabin: "Couldn't have my wee grandson sleepin' in the woods, now could we?"

Most of the dialogue in this scene comes straight from DRUMS OF AUTUMN chapter 67, "The Toss of a Coin", and it seems a little odd and out of place here, given that Roger has evidently been living on the Ridge for some time since the end of Season 4. Presumably Jamie knows by this time that Roger has very little in the way of 18th-century skills. Still, I enjoyed watching the two of them interact.

So Murtagh made a silver ring for Bree, similar to the one Jamie gave Claire in Season 4. We only got a brief glimpse of it, but I like the look of it. "This one's certainly fit for my daughter," Jamie says, and I agree.

And now we get our first look at the Big House. It certainly is big <g>, with room enough to hold all manner of guests, visitors, and future members of the household.

Bree looks beautiful in her wedding finery, and I think the costume designer did a wonderful job with her dress. It's lovely and elegant, and I like the embroidery. I don't mind that they changed it from the blue wool described in the book. (Here's an interview with Trisha Biggar, the show's new costume designer, in which she explains her decision about the wedding dress.)

I enjoyed the "something borrowed, something blue" scene very much. It's sweet to see Jamie taking it so seriously, wanting to make everything perfect for Bree on her wedding day.

"And no good love'll do either of them, if he gets himself killed." For those of us who've read the books, that's pretty ominous!

I love the expression on Jamie's face when Bree turns around and he sees her in her wedding dress for the first time. It's as though he never actually saw her as a beautiful woman before, only as his daughter.

The pearl necklace looks lovely worn in a double strand like that. In fact it's the first time I've seen that necklace that I actually found it attractive. It works very well with that dress.

"No matter where I am, I will always be your wee girl." Good line.

Jamie, Bree, and Claire step outside, and Jamie calls out, "The Frasers of the Ridge are here!" That line comes from the book (FIERY CROSS chapter 18, "The Flames of Declaration"), but in this context, it struck me as a little odd, given that this is a wedding, not a Gathering. Still, it certainly got the attention of everyone assembled outside.

As Claire walks down the aisle, she nods to Governor Tryon and Lord John Grey, neither of whom were there for Bree and Roger's wedding in the book. Still, I was very glad to see Lord John there, considering all he did for Bree in Season 4.

Roger looks very handsome and dignified in his blue suit.

The wedding ceremony was just wonderful, and I enjoyed every bit of it. Well done!

On re-watching, I keep getting distracted by the little boy in the front row (Germain), who can't keep still in his seat.
 
I liked Claire and Jamie's whispered exchange:

"Brave face, darling."
"It's as brave as I can muster, given that it's not in Latin and conducted by a Catholic priest."
Claire: <rolls eyes>

As Roger and Bree exchange their vows, Jamie looks over at Fergus and Marsali, smiling at each other with love in their eyes, and then he looks at Claire, and we get a brief flashback of Jamie and Claire's wedding in Season 1, the two of them speaking those same vows -- and it ends with Jamie and Claire, in the present day, echoing Brianna's, "As long as we both shall live." I thought that was really effective, very moving.

At the wedding reception afterward, I was struck by the variety of guests present, ranging from John Quincy Myers to Jocasta and Ulysses. And suddenly I really missed Young Ian. Every other important character is here (well, except Murtagh, but we'll get to that in a bit), but Ian is far away with the Mohawk.

I like the dialogue in Jamie's conversation with Governor Tryon.

"But I can't help but feel myself robbed of the satisfaction of seeing one particular story being brought to its conclusion. Your dispatches have kept me enthralled for these past few months, but a few too many twists and turns of plot for my taste. You know, I like to see a villain get his comeuppance."

This is, of course, a reference to his having ordered Jamie to track down and kill Murtagh in the final scene of Season 4.

The little boy who plays Germain is very cute. "Grand-pere says [....] all Presbyterians have hair-ticks." That made me laugh out loud.

Germain is a little older in the show than he is in the book, but I'm not going to complain about it. If they aged him up for convenience, to make it easier to get him to say his lines or do what they needed him to do in certain scenes, I'm willing to suspend disbelief. The fact that he's dark-haired rather than blond like Book Germain took me by surprise at first, but I'm not bothered by it.

The scene with Bree and Roger cutting their wedding cake was very nice, a little touch of the 20th century coming through. As the newlyweds looked up at the crowd, I half-expected to see a wedding photographer snapping pictures, and it took me a second to think, "Oh, right. Remember when they are!"

"But you did come back," Bree says, "and that's all that matters." I'm so glad that's settled between them!

On the other hand....

"Maybe when we go back, we can do all this again, and I'll be a little more prepared."  So Roger isn't sure they should stay for good. Notice the look on Bree's face as he says this. Uh-oh! That's an issue that's going to come up again, I'm sure.

I liked the fiddle music in the dancing scene. The tune is called "My Love She's But a Lassie Yet," and it's based on a poem by Robert Burns. Here's a video.

As darkness falls, the festivities get much more raucous, with John Quincy Myers leading a drunken tongue-twister contest. Notice the young man who recites "Peter Piper picked a pack of pickled peppers." Myers calls him Morton, so this must be Isaiah Morton. I wonder how much of Isaiah's storyline from the book will appear in Season 5?

I thought Lauren Lyle was terrific as Marsali in this scene. And Lord John, trying to elevate the tone of things a bit with the reference to Shakespeare, and totally failing, made me laugh.

I was vaguely aware that the "mashed potato" was a dance from the 1960s, but I'd never actually seen it before, so (prompted by Bree and Claire's conversation) I found this video from 1962. I can't quite picture Jamie dancing like that, can you? <g>

It's good to see Jamie and Lord John having a quiet moment to speak together. In THE FIERY CROSS, Lord John doesn't appear at all except through letters, so I see this in-person meeting as an unexpected treat for both of them. I thought this was an effective use of adaptation, to condense the original material without losing too much of the flavor of it.  Lord John seems to be finding his role as stepfather to an almost-teenager (William is about twelve at this point) rather stressful, and he informs Jamie that William has gone to England, just as in the book.

The other piece of news Lord John brings is much more disturbing: Stephen Bonnet is alive and has been sighted "in the province". Brianna, just passing by, reacts with shock and horror at the sound of Bonnet's name, and we see a brief flashback of her rape. How awful for Bree, to have to relive those memories on her wedding night, of all times!

I liked Claire's comment that Frank "would be delighted that you're marrying an Oxford man." That's undeniably true.

The next scene, with Jocasta and Murtagh, was well done, but I am still not at all enthusiastic about what the fans have taken to calling "Murcasta". Enough already!

Jamie and Claire babysitting baby Jemmy was quite entertaining, and a good way to give Roger and Bree some privacy on their wedding night.

I thought Roger's serenading Bree with "L-O-V-E" was fantastic! Richard Rankin did a fabulous job with that song, which I hadn't heard before. It's a Nat King Cole song from 1964, and it works amazingly well in this context. I have always loved the use of "Yesterday" in the book (very poignant and eerily appropriate lyrics), but it would have been much too expensive, and anyway I think the upbeat tone of "L-O-V-E" suits a community wedding celebration much better.

I enjoyed the montage. The sex scenes with three different couples made me think at once of the "CODA IN THREE-TWO TIME" from WRITTEN IN MY OWN HEART'S BLOOD. Even Murtagh and Jocasta didn't bother me much in this context, since the focus wasn't only on the two of them.

Notice the elderly couple kissing at about 34:15, just before Jemmy cries. Mr. and Mrs. Bug, perhaps?  Also Marsali, gesturing to her belly and smiling at Fergus. Another baby on the way!

That shot of Bree on her wedding night, lying wide awake in bed after having sex with Roger, but (from the look in her eyes) clearly still preoccupied with Stephen Bonnet, is heartbreaking. It's a shame that thoughts of him had to intrude on such an otherwise perfect day, but Sophie did a good job of conveying that without words.

The next morning, Jocasta and Murtagh reassess their relationship.

"In another lifetime, you and I might have had more time," Murtagh says. He sounds regretful, but ready to break it off.

"Duncan Innes has proposed marriage," Jocasta announces.

My eyes popped wide open in surprise at that. This is, I believe, the very first reference to Duncan in the TV show, and I really hope it means that they are planning to bring him into the series this season (at long last!), and assume his rightful place in the OUTLANDER universe. But I'm trying not to get my hopes up too much.

Jocasta makes it clear she hasn't decided whether to accept Duncan's proposal, so it could come to nothing in the end. Still, Murtagh's "I'll no stand in the way of your happiness," and the way Jocasta pulled her hand out of his at the end, make me cautiously optimistic. I'll be watching eagerly to see where this leads.

Meanwhile, back at the Big House, Lizzie is flirting with a young man who turns out to be Josiah Beardsley. He certainly looks the part, even if he's a bit older than the fourteen-year-old described in the book. And he appears to be wearing a wig similar to Jamie's awful wig from Season 4. It suits him far better than it did Jamie!

The scene with Roger and Jocasta is just terrific, very much as I've always pictured it from the book, and I'm so glad they kept the dialogue intact.
“If ye canna love the lad for himself, I thought ye might treat him well for the sake of his prospects.”

He stared at her, words jamming in his throat. His face felt hot, and the blood throbbed dully in his ears.

“Oh, I ken how it is,” she assured him. “It’s only to be understood that a man might not feel just so kindly toward a bairn his wife’s borne to another. But if—”

He stepped forward then and gripped her hard by the shoulder, startling her. She jerked, blinking, and the candle flames flashed from the cairngorm brooch.

“Madam,” he said, speaking very softly into her face. “I do not want your money. My wife does not want it. And my son will not have it. Cram it up your hole, aye?”

(From THE FIERY CROSS by Diana Gabaldon, chapter 11, "Pride". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
I just love the bit at the end, after Roger storms off. Ulysses is laughing quietly. "As you hoped, Mistress?" And she smiles in satisfaction, saying, "Even better."

Claire, in her surgery at the Big House, examines Josiah and says his tonsils need to be removed. Jamie tells him Claire will do the surgery if Josiah agrees to come and settle on the Ridge.

And now the Governor is back, referring to Jamie as "Colonel" and telling him, "It's time for you to fulfill your oath."  He leaves, with most of his troops, and Jamie, having no choice, says they will prepare to leave within a week.

Meanwhile, Roger returns to the cabin after his explosive meeting with Jocasta. He kneels down by the crib where Jemmy lies, and cuts his hand with his dirk.

"Roger, what are you doing?"
"Something I should have done a long time ago."

Yes, indeed! say all the book-fans out there (including me!) who were disappointed not to see this in the finale of Season 4.

The blood oath Roger swears comes word-for-word from DRUMS:
Roger knelt in front of her, and reaching out, pushed the shawl aside and smeared a broad red cross upon the downy curve of the baby’s forehead.

“You are blood of my blood,” he said softly, “and bone of my bone. I claim thee as my son before all men, from this day forever.”

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 66, "Child of My Blood". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
I have always loved this bit in the book, and I'm delighted to see it here. Better late than never!

Jamie comes home to break the news to Claire about the militia. I just love the way he says, "Tryon wants a Scot. I'll give him a Scot!"

Watching Jamie wearing the full regalia of a Highlander for the first time in many years, I thought immediately of this quote from DRUMS:
A Highlander in full regalia is an impressive sight--any Highlander, no matter how old, ill-favored, or crabbed in appearance. A tall, straight-bodied, and by no means ill-favored Highlander in the prime of his life is breathtaking. He hadn’t worn the kilt since Culloden, but his body had not forgotten the way of it.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 12, "The Return of John Quincy Myers". Copyright© 1997 by Diana Gabaldon. All rights reserved.) 
I loved Claire's reaction to seeing Jamie dressed like this. Cait does a marvelous job of showing how conflicted she is, without saying a word. Of course she must find him irresistible, dressed much as he was on their wedding day (how could she not?), but she only looks at him with a slight, worried frown on her face. And then she nods slightly, as if to say, "Do what you have to do."

Jamie walks outside, where night has fallen, and proceeds without a word to take a torch to the large Celtic cross in the yard. That gets everyone's attention in a hurry. When the crowd assembles, Jamie tells them the story of the fiery cross, taken almost word-for-word from the book.
“In the Highlands of Scotland, when a chieftain would set himself for war,” he said, his tone casually conversational, but pitched to be heard throughout the dooryard, “he would burn the fiery cross, and send it for a sign through the lands of his clan. It was a signal to the men of his name, to gather their weapons and come to the gathering place, prepared for battle.”

There was a stir in the midst of the crowd, a brief nudging and more cries of approval, though these were more subdued. A few men had seen this, or at least knew what he was talking about. The rest raised their chins and craned their necks, mouths half-open in interest.

“But this is a new land, and while we are friends”--he smiled at Gerhard Mueller--“Ja, Freunde, neighbors, and countrymen”--a look at the Lindsay brothers--“and we will be companions in arms, we are not clan. While I am given command, I am not your chief.”

The hell you aren’t, Roger thought. Or well on your way to it, anyroad.

(From THE FIERY CROSS by Diana Gabaldon, chapter 24, "Playing With Fire". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
I thought Sam was just mesmerizing during this speech, absolutely channeling Jamie Fraser with his words, tone of voice, and body language. Just perfect!

"Stand by my hand," he says, gesturing to Roger. But Roger just stands there, frozen with shock, and before he can decide whether to step forward, another man (Isaiah Morton) has come forward to be first to swear the oath.

I was surprised to see the ceremony. I wasn't expecting something so formalized, nor so closely resembling the oath-taking at Castle Leoch from Episode 104, "The Gathering". But I thought it worked well.

Jamie calls Roger by name, and says, just as in the book, "Be a shield for your family, and for mine. Son of my house." And he gives Roger the rank of Captain. As Roger is absorbing that, Jamie murmurs, "You'll be safe by my side." And knowing all too well what's coming later, I felt a chill up my spine at those words.

Roger has clearly been paying close attention, because he recites the oath flawlessly and without hesitation, after hearing it only once.

And then Jamie calls Fergus, "son of my name and of my heart", which made me go, "Awwww!!"

The last scene in the episode serves as sort of a bookend to the first. Jamie and Murtagh, alone in the woods. Jamie tells Murtagh about Tryon's order, and the coming confrontation with the Regulators. As they talk, Murtagh begins putting together a miniature stone circle on the ground, complete with a tall central stone like the one at Craigh na Dun.

"Claire, Brianna, Roger....they all came to this time from another. And because they did, ye have everything you've ever wanted."

That's insightful, coming from Murtagh.

"It's no longer safe for you to remain here," Jamie says. "I know you stayed because of the vow you made to my mother, and to me. Now, I release you from it." And he tells Murtagh to go.  "Be hard to find."

As the episode ends, Jamie crouches on the ground, weeping for his godfather, and for what he may be forced to do.
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I hope you enjoyed this recap. Look here for my recaps of all of the OUTLANDER episodes so far, and please come back next week to see my recap of Episode 502.

Looking for a place to discuss All Things OUTLANDER? Check out TheLitForum.com, formerly the Compuserve Books and Writers Community. You have to sign up in order to read or post on the forum, but it's free.

Saturday, February 15, 2020

I've been mentioned in the Washington Post!



About a week ago, I got an email from Erika Mailman, a freelance writer for the Washington Post, who said she was working on an article about the "OUTLANDER Effect" on Scottish tourism, which is bringing a lot of attention to historic sites like Culloden as well as places where the OUTLANDER TV show has filmed in Scotland.

She said she'd seen a reference on my blog to the boundary stone between England and Scotland known as the Carter Bar, and she wanted to know where the specific quote was in the books that referenced it. So I told her what she wanted to know. <g>

In case you're wondering, the reference is in VOYAGER:
He had come up from the Lake District and over the Carter’s Bar, that great ridge of high ground that divides England from Scotland, on whose broad back the ancient courts and markets of the Borders had been held.

“There’s a stone there to mark the border, maybe you’ll know; it looks the sort of stone to last a while.” He glanced at me, questioning, and I nodded. I did know it; a huge menhir, some ten feet tall. In my time, someone had carved on its one face ENGLAND, and on the other, SCOTLAND.

(From VOYAGER by Diana Gabaldon, chapter 37, "What's in a Name". Copyright© 1994 by Diana Gabaldon. All rights reserved.)
When Ms. Mailman mentioned what her article was about, naturally I said I'd been to Scotland twice, the first time on Judy Lowstuter's Celtic Journeys tour with my mom and my sister in 2012, and had a fabulous time. (You can read my account of that trip here.) She said she'd interviewed Judy for this article. And Diana Gabaldon, too, of course, but she didn't mention that.

So the article will be appearing in the Travel section of the Washington Post tomorrow (Feb. 16), timed to coincide with the premiere of Season 5. <g> As soon as I heard that, I asked her to include a link to my site if possible -- which she did!

Here's the link to the article if you want to read it online. (It may only be available to Washington Post subscribers, though.)

Even though it's only a brief mention, this is quite a thrill for me personally, as you can imagine. <g> Another item to add to the list of things that would never in a million years have happened to me if I hadn't found these books.

Friday, February 14, 2020

Favorite romantic quotes from the OUTLANDER books



Happy Valentine's Day!

Here are some of my all-time favorite romantic quotes from Diana Gabaldon's OUTLANDER books.  It wasn't easy to choose just one per book! I hope you enjoy them.

*** SPOILER WARNING!! ***

If you haven't read all of the OUTLANDER books, there are SPOILERS below! Read at your own risk.


OUTLANDER:

“Ye know,” he observed, letting go at last, “you’ve never said it.”

“Neither have you.”

“I have. The day after we came. I said I wanted you more than anything.”

“And I said that loving and wanting weren’t necessarily the same thing,” I countered.

He laughed. “Perhaps you’re right, Sassenach.” He smoothed the hair from my face and kissed my brow. “I wanted ye from the first I saw ye--but I loved ye when you wept in my arms and let me comfort you, that first time at Leoch.”

The sun sank below the line of black pines, and the first stars of the evening came out. It was mid-November, and the evening air was cold, though the days still kept fine. Standing on the opposite side of the fence, Jamie bent his head, putting his forehead against mine.

“You first.”

“No, you.”

“Why?”

“I’m afraid.”

“Of what, my Sassenach?”

The darkness was rolling in over the fields, filling the land and rising up to meet the night. The light of the new crescent moon marked the ridges of brow and nose, crossing his face with light.

“I’m afraid if I start I shall never stop.”

(From OUTLANDER by Diana Gabaldon, chapter 31, "Quarter Day". Copyright© 1991 by Diana Gabaldon. All rights reserved.)

DRAGONFLY IN AMBER:

“I will find you,” he whispered in my ear. “I promise. If I must endure two hundred years of purgatory, two hundred years without you--then that is my punishment, which I have earned for my crimes. For I have lied, and killed, and stolen; betrayed and broken trust. But there is the one thing that shall lie in the balance. When I shall stand before God, I shall have one thing to say, to weigh against the rest.”

His voice dropped, nearly to a whisper, and his arms tightened around me.

“Lord, ye gave me a rare woman, and God! I loved her well.”

(From DRAGONFLY IN AMBER by Diana Gabaldon, chapter 46, "Timor Mortis Conturbat Me". Copyright© 1992 by Diana Gabaldon. All rights reserved.)

VOYAGER:

"To have ye with me again--to talk wi’ you--to know I can say anything, not guard my words or hide my thoughts--God, Sassenach,” he said, “the Lord knows I am lust-crazed as a lad, and I canna keep my hands from you--or anything else--” he added, wryly, “but I would count that all well lost, had I no more than the pleasure of havin’ ye by me, and to tell ye all my heart."

(From VOYAGER by Diana Gabaldon, chapter 27, "Up in Flames". Copyright© 1994 by Diana Gabaldon. All rights reserved.)

DRUMS OF AUTUMN:

“But do ye not see how verra small a thing is the notion of death, between us two, Claire?” he whispered.

My hands curled into fists against his chest. No, I didn’t think it a small thing at all.

“All the time after ye left me, after Culloden—I was dead then, was I not?" [....] “I was dead, my Sassenach--and yet all that time, I loved you.”

I closed my eyes, feeling the tickle of the grass on my lips, light as the touch of sun and air.

“I loved you, too,” I whispered. “I always will.”

The grass fell away. Eyes still closed, I felt him lean toward me, and his mouth on mine, warm as sun, light as air.

“So long as my body lives, and yours--we are one flesh,” he whispered. His fingers touched me, hair and chin and neck and breast, and I breathed his breath and felt him solid under my hand. Then I lay with my head on his shoulder, the strength of him supporting me, the words deep and soft in his chest.

"And when my body shall cease, my soul will still be yours. Claire--I swear by my hope of heaven, I will not be parted from you."

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 16, "The First Law of Thermodynamics". Copyright© 1997 by Diana Gabaldon. All rights reserved.)

THE FIERY CROSS:

“I love you,” she murmured against his mouth, and he seized her lip between his teeth, too moved to speak the words in reply just yet.

There had been words between them then, as there had been words tonight. The words were the same, and he had meant them the first time no less than he did now. Yet it was different.

The first time he had spoken them to her alone, and while he had done so in the sight of God, God had been discreet, hovering well in the background, face turned away from their nakedness.

Tonight he said them in the blaze of firelight, before the face of God and the world, her people and his. His heart had been hers, and whatever else he had--but now there was no question of him and her, his and hers. The vows were given, his ring put on her finger, the bond both made and witnessed. They were one body.

(From THE FIERY CROSS by Diana Gabaldon, chapter 16, "On the Night That Our Wedding Is On Us". Copyright© 2001 by Diana Gabaldon. All rights reserved.)

A BREATH OF SNOW AND ASHES:

“Claire,” he said, quite gently, “it was you. It’s always been you, and it always will be.”

(From A BREATH OF SNOW AND ASHES by Diana Gabaldon, chapter 31, "And So To Bed". Copyright© 2005 by Diana Gabaldon. All rights reserved.)

AN ECHO IN THE BONE:

“Thee is a wolf, too, and I know it. But thee is my wolf, and best thee know that.”

He’d started to burn when she spoke, an ignition swift and fierce as the lighting of one of his cousin’s matches. He put out his hand, palm forward, to her, still cautious lest she, too, burst into flame.

“What I said to ye, before ... that I kent ye loved me--”

She stepped forward and pressed her palm to his, her small, cool fingers linking tight.

“What I say to thee now is that I do love thee. And if thee hunts at night, thee will come home.”

Under the sycamore, the dog yawned and laid his muzzle on his paws.

“And sleep at thy feet,” Ian whispered, and gathered her in with his one good arm, both of them blazing bright as day.

(From AN ECHO IN THE BONE by Diana Gabaldon, chapter 103, "The Hour of the Wolf". Copyright© 2009 by Diana Gabaldon. All rights reserved.)

WRITTEN IN MY OWN HEART'S BLOOD:

“I have loved ye since I saw you, Sassenach,” he said very quietly, holding my eyes with his own, bloodshot and lined with tiredness but very blue. “I will love ye forever. It doesna matter if ye sleep with the whole English army--well, no,” he corrected himself, “it would matter, but it wouldna stop me loving you.”

(From WRITTEN IN MY OWN HEART'S BLOOD by Diana Gabaldon, chapter 24, "Welcome Coolness in the Heat, Comfort in the Midst of Woe". Copyright© 2014 by Diana Gabaldon. All rights reserved.)
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What are some of your own favorite romantic quotes from the books?

Thursday, February 13, 2020

Episode recaps



As we prepare for Season 5, I thought I'd repost my collection of episode recaps from Seasons 1-4. For anyone who's wondering, yes, I will be doing recaps for this season as well. Hope you enjoy them!

SEASON 4:

Episode 401: America the Beautiful
Episode 402: Do No Harm
Episode 403: The False Bride
Episode 404: Common Ground
Episode 405: Savages
Episode 406: Blood of My Blood
Episode 407: Down the Rabbit Hole
Episode 408: Wilmington
Episode 409: The Birds and the Bees
Episode 410: The Deep Heart's Core
Episode 411: If Not For Hope
Episode 412: Providence
Episode 413: Man of Worth

SEASON 3:

Episode 301: The Battle Joined
Episode 302: Surrender
Episode 303: All Debts Paid
Episode 304: Of Lost Things
Episode 305: Freedom & Whisky
Episode 306: A. Malcolm
Episode 307: Crème de Menthe
Episode 308: First Wife
Episode 309: The Doldrums
Episode 310: Heaven and Earth
Episode 311: Uncharted
Episode 312: The Bakra
Episode 313: Eye of the Storm

SEASON 2:

Episode 201: Through a Glass, Darkly
Episode 202: Not in Scotland Anymore
Episode 203: Useful Occupations and Deceptions
Episode 204: La Dame Blanche
Episode 205: Untimely Resurrection
Episode 206: Best Laid Plans...
Episode 207: Faith
Episode 208: The Fox's Lair
Episode 209: Je Suis Prest
Episode 210: Prestonpans
Episode 211: Vengeance is Mine
Episode 212: The Hail Mary
Episode 213: Dragonfly in Amber

SEASON 1:

Episode 101: "Sassenach"
Episode 102: "Castle Leoch"
Episode 103: "The Way Out"
Episode 104: "The Gathering"
Episode 105: "Rent"
Episode 106: "The Garrison Commander"
Episode 107: "The Wedding"
Episode 108: "Both Sides Now"
Episode 109: "The Reckoning"
Episode 110: "By the Pricking of My Thumbs"
Episode 111: "The Devil's Mark"
Episode 112: "Lallybroch"
Episode 113: "The Watch"
Episode 114: "The Search"
Episode 115: "Wentworth Prison"
Episode 116: "To Ransom a Man's Soul"

Tuesday, February 11, 2020

The "OUTLANDER Effect" comes to North Carolina



Many of you have heard about the "OUTLANDER Effect" on Scottish tourism, as more and more OUTLANDER fans visit Scotland to see for themselves the locations mentioned in the books, as well as various sites used in the filming of the TV show.

But what about North Carolina? Those of us who live here (I'm a longtime resident of Raleigh, NC) have been asking that question for years, and ever since the Frasers settled in North Carolina in Season 4, it appears that OUTLANDER fans are finally starting to take notice.

Here's an interesting article on the "OUTLANDER Effect" on tourism in North Carolina.
The popularity of the TV series, which returns for its fifth season on Feb. 16, and North Carolina’s debut on it last year has brought the state’s colonial history into the lucrative world of “Outlander.” Specifically, it has sent fans to historic sites in droves seeking to follow in the footsteps of the characters.
Although I often roll my eyes at the show's concept of North Carolina's geography, which places the mountains much closer to the coast than they are in reality, I think overall they're doing a reasonably good job portraying the landscape. Is it exactly like what NC looks like in real life? No, but given that they weren't able to film here, I try not to nitpick too much. It's a thrill for me to see the story taking place not far from where I live, just as it always has been. I still have vivid memories of my first reading of DRUMS OF AUTUMN, and my surprise and delight when I realized that Jamie and Claire were going to settle here.

Diana Gabaldon visited Alamance Battleground and Tryon Palace last year, to help raise funds for the preservation of these historical sites. I think it's wonderful that the show (and the books) are inspiring fans to visit these sites and to learn more about North Carolina and its history. And there's much more to come in Season 5!

Have any of you visited the locations in North Carolina mentioned in the books or show? What do you think of the show's depiction of North Carolina so far?

Saturday, February 1, 2020

January poll results



Here are the results of the January poll, which asked the question, "Have you ever been to Scotland?"
  • 32.25% - No, but I'd love to visit there some day!
  • 19.07% - I visited Scotland long before I knew Diana Gabaldon's books existed.
  • 11.16% - Yes, I've been there more than once.
  • 8.52% - I visited Scotland after I discovered the OUTLANDER books.
  • 5.07% - I'd like to visit, but I can't travel due to age or health reasons.
  • 4.46% - I visited Scotland as a result of seeing, or hearing about, the OUTLANDER TV series.
  • 3.85% - No, but I'd like to see some of the locations shown in the OUTLANDER TV series.
  • 3.45% - I'm making plans to go to Scotland in 2020.
  • 2.84% - I went on an OUTLANDER-themed tour of Scotland.
  • 2.43% - I've lived in Scotland all or part of my life.
  • 1.22% - No, it's too far away and/or I can't afford it.
  • 0.81% - No, I like reading about Scotland or seeing it on TV, but I don't have any desire to go there myself.
  • 4.87% - Other
There were 493 responses to this month's poll. Thanks very much to everyone who participated! Please take a moment to vote in the February poll, which asks, "Would you go through the stones, if you could?"

Saturday, January 25, 2020

Happy Burns Day!



Today is the 261st anniversary of the birth of Scotland's most famous poet, Robert Burns (1759-1796).

If you haven't read all eight of Diana Gabaldon's OUTLANDER books, there are SPOILERS below! Read at your own risk.

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Here's the quote that led Roger, in VOYAGER, to pinpoint Jamie's exact location in the past.  It comes from the final stanza of a poem called "The Author's Earnest Cry and Prayer", which Robert Burns wrote in 1786.
Scotland, my auld, respected mither!
Tho' whiles ye moistify your leather,
Till, whare ye sit on craps o' heather,
Ye tine your dam;
Freedom an' whisky gang thegither!
Take aff your dram!
As Roger explained to Claire:
"Here it is”--his racing finger stopped suddenly on a phrase-- “‘for as has been known for ages past, “Freedom and Whisky gang tegither.” ’ See how he’s put that Scottish dialect phrase in quotes? He got it from somewhere else.”

“He got it from me,” I said softly. “I told him that--when he was setting out to steal Prince Charles’s port.”

“I remembered.” Roger nodded, eyes shining with excitement. “But it’s a quote from Burns,” I said, frowning suddenly. “Perhaps the writer got it there--wasn’t Burns alive then?"

"He was," said Bree smugly, forestalling Roger. "But Robert Burns was six years old in 1765."

(From VOYAGER by Diana Gabaldon, chapter 21, "Q.E.D.". Copyright© 1994 by Diana Gabaldon. All rights reserved.)


Here's Karen Matheson and Paul Brady performing "Ae Fond Kiss". The lyrics come from a poem written by Robert Burns in 1791. You may remember that Diana used "Ae Fond Kiss" as the title of Chapter 19 of AN ECHO IN THE BONE, in which Claire encounters Tom Christie.



And here's "The Sheriffmuir Fight", performed by the Corries. The lyrics come from Burns' poem, "The Battle of Sheriffmuir". I think this version of the song sounds exactly as Roger recalled it in WRITTEN IN MY OWN HEART'S BLOOD, including the bodhrans:
“Oh, that’s braw, man!” Fraser exclaimed. “Though yon poet’s got the devil of an accent. Where’s he come from, d’ye ken?”

“Er . . . Ayrshire, I think.”

Fraser shook his head in admiration and sat back.

“Could ye maybe write it down for me?” he asked, almost shyly. “I wouldna put ye to the trouble of singin’ it again, but I’d dearly love to learn the whole of it.”

“I--sure,” Roger said, taken aback. Well, what harm could it do to let Robert Burns’s poem loose in the world some years in advance of Burns himself? “Ken anyone who can play a bodhran? It’s best wi’ the drum rattlin’ in the background.”

(From WRITTEN IN MY OWN HEART'S BLOOD by Diana Gabaldon, chapter 31, "The Shine of a Rocking Horse's Eyes". Copyright© 2014 by Diana Gabaldon. All rights reserved.)
Diana Gabaldon commented on Facebook when I posted the link to this video several years ago:
I especially like the recording/video of "The Sheriffmuir Fight," by the Corries (this is my favorite version of the song--and the one I had in mind when I wrote the scene in MOBY that Karen quotes from).
Finally, here's an article from the NY Times about the lengths people in the US will go to in order to acquire a haggis for their Burns Night festivities.

Happy Burns Day to all of you!