Thursday, December 13, 2018 is one year old! is celebrating its first anniversary today! For those of you who don't know, this is the new home of the former Compuserve Books and Writers Community, which was shut down in December 2017. This online forum, in its various incarnations, has been Diana Gabaldon's main online hangout for more than thirty years. I've been hanging out there on a daily basis since 2007, managing the discussions (aka "herding the bumblebees") in Diana's section of the forum. is a community of readers, writers, book-lovers, and fans of All Things OUTLANDER. We have a thriving and very active online community there (more than 77,000 posts since the new site launched a year ago, which I think is pretty impressive), and you're welcome to come and join the discussions! Diana Gabaldon is there most days, participating in discussions and answering questions -- sometimes in great detail -- just as she always has.

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Sunday, December 9, 2018

Episode 406: "Blood of My Blood" (SPOILERS!)

Here are my reactions to Episode 406 of the OUTLANDER TV series, titled "Blood of My Blood". This is a wonderful episode, a real treat for book-readers, and I enjoyed it very much!


There are SPOILERS below! If you don't want to know yet, stop reading now.









The opening shot, featuring Jamie removing a snake from the privy, made me laugh. Book-readers will recognize it instantly as a reference to the hilarious "Willie-in-the-privy" scene from DRUMS OF AUTUMN chapter 25, "Enter a Serpent".

Jamie is sawing wood in the yard near the cabin when Lord John Grey arrives unexpectedly. (For the second time in as many episodes, Jamie's hair is -- briefly -- back to a style similar to the way he wore it in Season 1.)

Meanwhile, Claire and Murtagh are fetching water from the stream when they hear a boy shouting for help nearby. It turns out to be William, the Ninth Earl of Ellesmere, with his legs covered with leeches. I was interested to see that the production team found a way to make the leeches reasonably lifelike and realistic in this episode, after they'd tried and failed to do that in one of the early episodes of Season 1.

The young actor who plays William, Oliver Finnegan, looks and sounds very much like an older version of Clark Butler, who played the six-year-old Willie in Episode 304, "Of Lost Things". Another excellent choice from the OUTLANDER casting team!

"He insists that we call him William now." That's not in the book, but it's totally believable to me.

David Berry is excellent as always as Lord John, and he did a wonderful job in this episode!

I love the look of shock on Claire's face when she sees Lord John for the first time, but she recovers pretty quickly.

It took me a minute to recall why Lord John knows Murtagh, but then I remembered that in the show, Murtagh was at Ardsmuir, as we saw in Episode 303 ("All Debts Paid").

William's manners are impeccable, as you'd expect from a young earl.

The dinner conversation is somewhat awkward, but I smiled when Lord John mentioned the Beefsteak, which readers of the Lord John books and stories will recognize at once as his favorite gentlemen's club in London.

So Young Ian is out hunting with the Cherokee. That's a convenient explanation for his absence in this episode, but I don't mind. With Ian gone, the focus stays firmly on Jamie and Claire's relationship with Lord John and William.

I liked John's description of Young Ian as "the young man for whom you crossed an ocean."

Murtagh definitely does not care for the idea that Governor Tryon is building himself a palace in New Bern. (Tryon Palace is a real place, by the way, and worth visiting if you happen to be in the area.) And just like that, the conversation turns to politics, and the Regulator movement.

John's description of the Regulators is succinct: "By all accounts, they're unreasonable and dangerous. A menace to the backcountry, and given to causing disruption by means of riot." Notice Murtagh glaring at him, but managing to keep his mouth shut.

"There is the backcountry, John, and there is the wilderness." This line comes straight from the book. (DRUMS OF AUTUMN chapter 25, "Enter a Serpent")

The tension between Lord John and Murtagh just crackles in this scene. Very well-acted by both Duncan Lacroix and David Berry!

So William is too spoiled, or too fastidious, to use a privy outside? It's a wonder he made it through a weeks-long ocean crossing, or the journey on horseback to Fraser's Ridge, which must have included a few days' sleeping out in the open. Still, it's an excuse for Jamie to spend a few minutes alone with the boy.

"Mac. Is your name not MacKenzie?" So William does indeed remember "Mac", unlike in the book. I think this is realistic. It's only been about four years since they last saw one another.

"Do you remember me?" I like the way Jamie smiles, responding with vast understatement, "Fondly."

When Jamie asks if he still has the little wooden snake, William says stiffly, "I'm too old for toys, sir." That's true, but it must have disappointed Jamie to hear it.

The little scene between Lord John and Claire has the air of an interrogation, with Claire, for once, in the role of the investigator asking uncomfortable questions. It reminded me of all the times in Season 1 when Claire herself was accused of being a spy.

I liked the next scene, with Jamie and Claire, very much, but it was so pitch-dark that I couldn't figure out where they were. Outside somewhere?

"When he said my name, my heart raced. I wanted to swing him through the air, as I did when he was a wee lad." Awww, that's sad.

"When the lad was near three, Lord Dunsany brought him to the stables for his first ride." I was surprised and delighted to see they included this bit from THE SCOTTISH PRISONER. It's one of my favorite scenes from that book:
Entranced, [Willie] toddled forward and hugged Philemon’s head in an access of pure love. The horse’s long-lashed eyes widened in surprise and he blew out air through his nose, ruffling the child’s clothes, but did no more than bob his head a bit, lifting Willie a few inches into the air, then setting him gently down as he resumed his eating.

William laughed, a giggle of pure delight, and Jamie and Lord Dunsany looked at each other and smiled, then glanced aside, each embarrassed.

(From THE SCOTTISH PRISONER by Diana Gabaldon, chapter 5, "Why Am Not I at Peace?". Copyright© 2011 by Diana Gabaldon. All rights reserved.)
Actually, all of the Jamie-and-Willie scenes in THE SCOTTISH PRISONER are terrific, and I highly recommend the book if you haven't read it yet.

"As soon as our guests leave, I'll be expecting your full attention," Claire says. If you've seen the episode, this is clearly meant as foreshadowing of the final scene.

It's understandable that Murtagh is not happy about the fact that Jamie and Lord John are friends, but the business with the Regulators is only the pretext for this conversation. The real point of it becomes apparent with this exchange:

"Willie has lost two mothers. John Grey is all he has left."
"And how does that make the lad your responsibility?"
Jamie turns away without answering, and Murtagh says, "He's yours, isn't he?"

Interesting. In the books, this conversation would never take place, because the people who know William's true paternity (Jamie, Claire, and Lord John) would never under any circumstances speak of it to anyone else. But the writers of this episode need to convey the information to the TV viewers who haven't read the books (and to anyone who hasn't seen Season 3), so Murtagh is the logical person to do that.

"Don't worry about me keeping your secrets. I've kept them, each and every one."

That's true. Jamie and Claire trusted Murtagh to keep the secret of Claire's time-traveling (in Season 2 when they were in Paris), so presumably he'll keep his mouth shut on this subject as well.

The next scene, with Lord John and Jamie playing chess and drinking Jamie's homemade whisky, is based on a scene from the beginning of DRUMS chapter 26, "Plague and Pestilence". I like the pottery mugs they're drinking from very much.

It's been a long time since we've seen Jamie relaxed enough to burst out laughing, but he does that here, and it's good to see it.

The bit where John asks, "Do you feel yourself content?" and Jamie's response, comes straight from the book, with the words only slightly rearranged. It's such a pleasure to see them actually using the original dialogue!

The next morning, as Lord John and William prepare to leave, John really doesn't look at all well, and Claire has no trouble diagnosing the measles.

"I'll take the lad for a tour," Jamie says with forced cheerfulness. "Show him Fraser's Ridge." The fact that John barely reacts is a good indication of just how ill he is.

The scene with William refusing to mount his horse, and Jamie's reaction, are (once again) taken straight from the book, from DRUMS chapter 27, "Trout Fishing in America".

Jamie, telling William about the Cherokee: "They can be fierce, when provoked." Yes, indeed, as we saw with the flaming arrows in Episode 405, "Savages".

That view of the Ridge is as spectacular as always. Note how it's changing, subtly, with the seasons. It looks to me like November, with a thick layer of dead leaves underfoot and the brilliant autumn color mostly gone from the mountains.

Meanwhile, back at the cabin, Claire and Lord John finally have time for a private conversation. Most of the dialogue in this scene is taken verbatim from DRUMS chapter 28, "Heated Conversation".

"You cannot be at all a comfortable woman to live with." I laughed at that. So true!

"You shouldn't presume to know what I think." (Ha! Says the woman with a glass face. <g>)
"You're envious of the time Jamie and I shared together and with William." (See? It's not difficult at all to guess what she's thinking.)

As Claire tells Lord John about Brianna, I thought (not for the first time, by any means) that I am really, really looking forward to seeing Bree and Lord John interacting! Eventually.

"We were robbed of the opportunity to raise her together, because of Culloden." Good way to put it.

"If [William] did learn he's been lied to his entire life, he'd be devastated--" Yes, indeed, as we saw in great detail in WRITTEN IN MY OWN HEART'S BLOOD. "--so I can't for the life of me understand your motivation for coming here."

Good question. <g> I like the way Claire stays calm and under tight control through this whole conversation. It certainly can't have been easy for her.

"I don't believe I've ever met anyone so devastatingly straightforward, male or female."  This whole exchange, again, comes straight from the book. I love it!

Meanwhile, Jamie and William are fishing, or trying to. William's not having much luck. And then, much to my surprise, Jamie demonstrates how to "tickle" a fish, in much the same way that he once showed Claire, soon after they were married:
One finger bent slowly, so slowly it was hard to see the movement. I could tell it moved only by its changing position, relative to the other fingers. Another finger, slowly bent. And after a long, long moment, another.

I scarcely dared breathe, and my heart beat against the cold rock with a rhythm faster than the breathing of the fish. Sluggishly the fingers bent back, lying open, one by one, and the slow hypnotic wave began again, one finger, one finger, one finger more, the movement a smooth ripple like the edge of a fish’s fin.


An inch more would bring the flapping gill-covers right over the treacherous beckoning fingers. I found that I was gripping the rock with both hands, pressing my cheek hard against the granite, as though I could make myself still more inconspicuous.

There was a sudden explosion of motion. Everything happened so fast I couldn’t see what actually did take place. There was a heavy splatter of water that sluiced across the rock an inch from my face, and a flurry of plaid as Jamie rolled across the rock above me, and a heavy splat as the fish’s body sailed through the air and struck the leaf-strewn bank.

(From OUTLANDER by Diana Gabaldon, chapter 16, "One Fine Day". Copyright© 1991 by Diana Gabaldon. All rights reserved.)
Next, William tries his hand at stag-hunting. You can see from the snow on the ground that they've moved higher up into the mountains. Despite his youth, William is a surprisingly good shot with a rifle.

The gralloch scene was good, but it would have been even better if they'd included the Gaelic prayer Jamie always recites when he does that.

Later, eating their kill, Jamie makes an offhand comment about something his da used to say, and immediately he can see he's upset the boy. This, too, is pretty close to the scene in the book. I loved the bit where Jamie covers William gently with a blanket. Such a bittersweet moment, when you realize that he never got to tuck either of his children into bed when they were small, not even once.

Meanwhile, back in the cabin, Lord John is in a great deal of pain from headache and fever.

"When I heard that Isobel had died, I felt nothing." This speech is also from the book, from chapter 28.

"It's hard...watching you with him." I was a little startled by that admission, because Lord John is always so guarded about his feelings (especially his feelings for Jamie) and his private life. (On the other hand, I have said many times that the man is a "blurter". <g>)

The revelation about Jamie offering Lord John his body at Helwater occurs much earlier, in the books: VOYAGER chapter 59 ("In Which Much is Revealed"), to be exact. But I think it's good that John mentions it here. As long as they're being honest and open with one another to this extent, she needs to know about it. It's part of John and Jamie's shared history, after all. But Claire clearly doesn't want to hear it. "You should stop talking," she says. "You need your rest."

Meanwhile, somewhere in the woods, Jamie wakes from an apparent doze (he's sitting by the fire, not lying down) to find that William has vanished. The boy didn't go far, fortunately. Jamie manages to track him pretty easily through the woods (love the scenery, btw!) and discovers that William has found a fish impaled on a stick.

"Look what I found!" the boy says proudly. And moments later, a group of armed Cherokee burst out of the woods.

Jamie's command of the Cherokee language has definitely improved, but I was relieved to see that there was someone in that group who could translate for Jamie, and for us.

"No! The boy is my son! His blood is my blood."

I was more than a little startled that he'd blurt it out like that, but then again, it's clearly a matter of life and death. And under these circumstances, it's similar to Young Ian, in ECHO, referring to William as "Cousin".  It's the literal truth, but spoken in circumstances where the person hearing it won't be inclined to take it literally.

Watching this, I never for one moment thought Jamie's life was actually in danger, but I did like Jamie's hastily muttered prayer, "May the Lord protect her, her and the children" -- just the way he prayed throughout THE SCOTTISH PRISONER.

William saves the day by shouting, "He's not my father!" and admitting that he was the one who stole the fish, and the Cherokee let him go with nothing more than a small cut on his thumb, to satisfy their desire for the drawing of blood. And as soon as the Indians have gone, William sags against Jamie in relief, and Jamie puts a fatherly arm around him.

Back at the cabin, Lord John is clearly on the mend, and feeling embarrassed at how much he revealed in his previous discussions with Claire.

"Do you know what it's like to love someone, and never be able to give them happiness? Not through any fault of yours, or theirs, but simply because you were not born the right person for them?"

I love this quote (which comes from VOYAGER chapter 59, "In Which Much is Revealed") and I was glad to see it here.

"When you said you have nothing of Jamie, you're wrong," Claire says. "You have William." Good line.

On the way back to the cabin, William is now mounted on the same horse with Jamie, and they seem much more comfortable with one another.

William asks about the day Jamie left Helwater, when he rode away without ever looking back. That scene, at the end of Episode 304 ("Of Lost Things"), is just heartwrenching, and I never get tired of watching it. It's interesting to see William's memory of it here.

"You're a good father," Jamie tells Lord John. That's high praise, under the circumstances.

I liked the idea of John giving Jamie the chess set as a farewell gift.

As William rides away with Lord John, his back straight, not looking back, the scene consciously mimics their parting at Helwater -- only this time William looks back.

Later that night, Jamie is helping Claire with her bath. (I don't quite understand why the inside of the tub is covered with a cloth, but that's a minor point.)

"I am your husband, though ye'd never ken it," Jamie says, looking at her bare finger where his ring once was.
"I don't need a ring to know how much you love me."
"No. But it helps."

And then Jamie hands her a brand-new silver ring, done in a Highland interlace pattern (just like the book), with "Da mi basia mille" inscribed inside (just like the book), and I sighed with happiness. I'm SO glad that the writers, or the production team, came to their collective senses at long last and FINALLY gave Claire the ring she should have had in the first place!

"Da mi basia mille" -- give me a thousand kisses. And as the episode ends, Jamie kisses her repeatedly, counting, "One...two...three...."  What a sweet way to end a terrific episode!
I hope you enjoyed this recap. Look here for my recaps of all of the OUTLANDER episodes so far, and please come back next week to see my recap of Episode 407.

Looking for a place to discuss All Things OUTLANDER? Check out, formerly the Compuserve Books and Writers Community. You have to sign up in order to read or post on the forum, but it's free.

Friday, December 7, 2018

Caitriona Balfe is nominated for a Golden Globe!

Congratulations to Caitriona Balfe on being nominated for a Golden Globe Award in the category of "Best Actress in a TV Series, Drama"!

Look here for more details, including the complete list of nominees. The winners will be announced on January 6, 2019.

Sunday, December 2, 2018

Episode 405: "Savages" (SPOILERS!)

Here are my reactions to Episode 405 of the OUTLANDER TV series, titled "Savages". I thought this was an excellent episode, one of the best so far this season.


There are SPOILERS below! If you don't want to know yet, stop reading now.









The opening shot shows a shopkeeper wrapping up the little doll to sell to a customer, presumably Herr Mueller.

I liked the first scene, with Claire and Adawehi, very much. It feels natural that they're beginning to learn one another's language, and that Adawehi is teaching Claire a bit about the native plants. I particularly liked this exchange:

"I have a daughter....but she lives far, far away."
"She is here," Adawehi says.
"Yes," Claire says, and puts a hand over her heart.

And now we get our first good look at the finished cabin. I like the look of it very much! From the outside, it's very much like the image I've had in my mind for years.  And speaking of first glimpses, here's the infamous White Sow <g>, about to make a meal out of Jamie's hat.

I like the details of the interior of the cabin, though I don't think they would have had those fancy diamond-paned glass windows.

As Claire goes about packing for her visit to the Muellers, notice that Jamie takes one of the silver candlesticks and puts it in his bag, careful to be sure she didn't see him do it.

Jamie's dream about Brianna's birthmark comes straight from the book, and I'm very glad they included it here.
"I dreamt of Brianna, now and again."

"Really?" That was a little startling; I too had dreamt of Brianna in our icy shelter--something I seldom did.

"I did wonder..." Jamie hesitated for a moment. "Has she a birthmark, Sassenach? And if so, did ye tell me of it?"

"She does," I said slowly, thinking. "I don't think I ever told you about it, though; it isn't visible most of the time, so it's been years since I noticed it, myself. It's a--"

His hand tightening on my shoulder stopped me.

"It's a wee brown mark, shaped like a diamond," he said. "Just behind her left ear. Isn't it?"

"Yes, it is." It was warm and cozy in bed, but a small coolness on the back of my neck made me shiver suddenly. "Did you see that in your dream?"

"I kissed her there," he said softly.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 21, "Night on a Snowy Mountain". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
Meanwhile, back in 1971, Roger has come to Inverness in search of Brianna. He tracks her to Mrs. Baird's B&B (where Frank and Claire stayed in Episode 101, "Sassenach"), which is apparently now being run by her daughter. The younger Ms. Baird gives Roger a letter from Bree, saying, "She asked me to wait a year before sending it to ye."

So Bree goes off without a word, and all she leaves behind is this one letter, clearly intending Roger to find it only if she doesn't come back? That seems much harsher than it was in the book, more emotionally devastating for Roger.

Back in the 18th century, we get our first look at the (fictional) town of Woolam's Creek, which is apparently the nearest town of any size to Fraser's Ridge. (On the show, at least. Keep in mind that the TV show is doing weird things with the geography of North Carolina. I am trying to take Diana Gabaldon's advice and ignore the geographical references, for my own peace of mind.)

Jamie and Young Ian have come to the town to try to recruit settlers. Jamie gives Ian a stack of flyers describing the offer of land on Fraser's Ridge, and goes off to find the silversmith, a man named MacNeil.

The silversmith's wife seems to be openly flirting with Jamie, though he doesn't react.

Back on Fraser's Ridge, Claire is at the Muellers' cabin, having just delivered Petronella's baby. The Mueller's cabin is smaller and not as fancy as Jamie and Claire's.

"We say she looks like her papa, may he rest in peace." This is a change from the book, and it's a sobering thought, a young mother with a small baby, left without a husband to provide for her.

Meanwhile, in Woolam's Creek, Jamie is trying to recruit men to settle on the Ridge, offering 100 acres of land apiece, but not having any luck.

(Side note: I really, really wish they'd do something about Jamie's wig! That scraggly, unkempt fringe is really unattractive, IMHO.)

"My father's name was Brian." How does Jamie know this man's name is also Brian? (Minor point.)

The story that the man tells, of government soldiers seizing property when the taxes weren't paid, sounds very similar to what happened to Abel MacLennan in FIERY CROSS:
"[The sheriff] came with a paper, and said he mun’ put us oot, and the taxes not paid.”

Faced with necessity, Abel had left his wife in their cabin, and gone posthaste to Salem. But by the time he returned, six shillings in hand, his property had been seized and sold--to [the sheriff's] father-in-law--and his cabin was inhabited by strangers, his wife gone.

“I kent she’d no go far,” he explained. “She’d not leave the bairns.”

And that in fact was where he found her, wrapped in a threadbare quilt and shivering under the big spruce tree on the hill that sheltered the graves of the four MacLennan children, all dead in their first year of life.

(From THE FIERY CROSS by Diana Gabaldon, chapter 2, "Loaves and Fishes". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
Back at the Muellers' cabin, Petronella announces that they've named the baby Klara. Claire seems flattered and a little taken aback by the news. Herr Mueller gives Petronella the little doll that we saw in the beginning of this episode as a gift for the baby.

Suddenly Rollo starts barking, alerting them to the arrival of "savages", a group of Cherokee seeking water from the nearby creek. Herr Mueller is furious, and grabs a musket, saying, "They have no reason to set foot on MY land!"

And just like that, the situation escalates into a potentially deadly confrontation, with both sides pointing weapons at one another, and Claire standing between them, trying to defuse the situation before someone gets hurt or killed.

"Water belongs to no one," the Cherokee leader says.
"You're right," Claire replies, "but he doesn't see it that way."

And the Cherokee leader backs down, for the sake of Claire's friendship with Adawehi, the old Cherokee woman. As he turns to leave, he crouches down and makes strange signs over the water. This bit is taken from an incident in the book that Claire heard about, but did not see in person:
A small band of Indians had stopped at the Mueller farm asking for food and drink. Mueller, with whose opinions of Indians I was thoroughly well acquainted, had driven them off with considerable abuse. The Indians, offended, had made--said Mueller--mysterious signs toward his house as they left.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 28, "Heated Conversation". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
Claire arrives home at last and collapses on her bed in exhaustion and relief.

The next day, she settles back into the routine of farm chores: feeding the livestock ("You've no idea you're just a Christmas pork chop, do you?" she tells the White Sow), cooking, and so on. After dark, puttering around the cabin by candlelight, you can see her looking up at the shelf above the hearth where the candlesticks are kept, noticing the missing one, but she doesn't comment on it.

The day after that, more shots of livestock-feeding (which does sort of beg the question, who was feeding them when Jamie and Ian were away and Claire was at the Muellers' cabin?), including a pair of goats.  Claire spends the day quietly, doing chores, tasting a bit of Jamie's homemade whisky (at least that's what I think was in the bottle), and generally staying out of trouble.

Meanwhile in Woolam's Creek, Jamie's still not having any luck attracting tenants. When Ian asks what will happen if they can't find settlers for the land, Jamie doesn't seem concerned. "The tax collectors will come to me, will they no? 'Tis my land, after all." I liked the note of pride in Jamie's voice as he says that.

Just then Ian discovers the horse has a broken bit.

"We'll need to get it mended before we can travel." This seems like an incredibly obvious thing to say, intended only to explain the situation to the 21st-century audience, and I didn't care for it. It's sort of the equivalent of someone today saying, "Uh-oh, the car has a flat tire. We'll need to get it repaired before we can travel." Yeah, no kidding!

As soon as Murtagh spoke, I felt a little shiver of recognition, just at the sound of his voice.

I was one of those book-readers who didn't like the fact that Murtagh survived Culloden in the first place, but I will grudgingly admit that it's good to see him here. And it's fitting that Young Ian is the one who first encounters him, because Murtagh and Ian have never laid eyes on one another before.

Murtagh looks older than when we last saw him (understandable, as this would be about a dozen years later). He's a contemporary of Jamie's parents, so I would estimate his age as somewhere in his mid-seventies. He looks to be in far better health than when we last saw him at Ardsmuir, though.

Twenty-one shillings?!  That sounds like a small fortune by the standards of the colonies. It's awfully convenient that Young Ian just happens to be carrying a small purse with plenty of coins in it.

Jamie, meanwhile, goes back to the silversmith's shop, where he's met by MacNeil's wife again. I'm not really sure what the purpose of this pair of scenes is, except as a way to show us that Jamie is happily married and therefore not tempted by any beautiful women he happens to encounter in town.

I love the look on Jamie's face as Young Ian confesses that he gave the blacksmith all that money.

I liked the reunion scene very much. It's very well done, from the first moment when Jamie storms into the blacksmith's shop, full of righteous indignation. Murtagh just stands there at first, frozen with shock at the sound of Jamie's voice. And then Murtagh turns around. At first Jamie's face is an expressionless mask (to hide strong emotion, just as in the books?) but then he smiles, and they embrace.

"Who you calling an old coot, eh?" Murtagh says to Ian, and the expression on his face made me laugh.

Back on the Ridge, Claire is doing her chores (again!) when she hears Pastor Gottfried pounding on the cabin door. He announces that Petronella, her baby, and the boy, Tommy, are all dead of the measles.

"[Herr Mueller] blames you for their deaths." That's a change from the book, where Mueller's rage was focused solely on the Indians. But it makes sense here, because of the way Claire behaved in the earlier scene: "Herr Mueller believes you let the Indians curse their water." Uh-oh!

In the next scene, we see Claire loading a rifle. She doesn't look like #SuperClaire to me there, just a pioneer woman doing whatever she has to do to defend her home, in the absence of her husband.

Meanwhile, in a tavern in Woolam's Creek, Murtagh fills them in on what he's been doing in the past twelve years. So he was indentured to a blacksmith, and when the man died, his wife sold the business to Murtagh.

It seems awfully convenient that Murtagh should turn out to have the skills of a silversmith as well. "I can manage a bit," he says. But I liked his reaction when he realized the candlestick had belonged to Jamie's mother, Ellen, whom he had loved as a young man.

The bit of byplay between Ian and Murtagh over the bag of coins made me giggle. And I loved Murtagh's reaction when Jamie said, "Claire...she came back to me."

Jamie tells Murtagh that Brianna is living in Boston in the year 1971. Well, technically, if time runs in parallel between the two centuries, with a difference of 202 years, that's not quite accurate, as it's still 1768 where Jamie is, but I'm not going to quibble over a year, more or less. From their point of view, just the concept of the year 1971 is mindboggling enough! <g>

"Come to Fraser's Ridge. We'll work together, as we always did."

Murtagh hesitates -- he seems tempted -- but declines the offer.

The scene shifts briefly back to Fraser's Ridge. Claire is alone in the cabin at night, armed with her rifle, with only Rollo for company. Both she and the dog seem a little jumpy, with Rollo barking at a noise that turns out to be only the wind.

Murtagh's whole demeanor in the meeting with the other men reminds me strongly of Dougal in Episode 105, "Rent", when he was making speeches in taverns to rouse the villagers and crofters in support of the Stuarts.

"The time is coming when we will march!"

I'm surprised to see this -- aside from his brief stint as a "drill sergeant" in Episode 209 ("Je Suis Prest"), Murtagh never struck me as a leader of men in the way Jamie is, let alone the sort who stood up in front of a crowd and made impassioned speeches -- but then again, we don't know the details of what he's been through in the last few years. He's changed a great deal, just as Jamie and Claire changed in their years apart.

So Murtagh is a Regulator. And of course, those of us who've read the books know exactly what's coming, in less than three years: the Battle of Alamance.

"I canna in good conscience involve myself in this," Jamie says, and that's the end of it, as far as he's concerned. But it seems clear that this conflict between them isn't going to end any time soon. I think that's a good thing. Conflict makes for good storytelling, and it should be interesting to see where this leads, not just in Season 4, but beyond.

(Just as an aside: To me, this whole subplot is much more plausible, and more historically accurate, if you substitute "Hillsborough" -- a real place, and a major source of Regulator activity -- for the fictional "Woolam's Creek", which was invented for the show.)

Back on the Ridge, Gerhard Mueller is pounding on the cabin door. Claire points her rifle at the door, only to see Mueller walk right in. Why on earth didn't she bolt the door like a sensible person?!?

I like the way Claire's voice shakes as she says, "Thank you for your concern, but I'm well."

Mueller hands her a package, wrapped in the same cloth that he used to wrap the doll, only it contains the fresh scalp of the Cherokee woman, Adawehi.

Even though I knew this was coming, I shuddered at the sight of it. I liked Claire's reaction very much. I also liked the contrast between his out-of-control shouting and Claire's calm, steady voice as she says firmly, "Goodbye, Herr Mueller." And the way Claire cries at the end. Cait did an excellent job in this scene!

The next scene shows Claire, grieving, making a little bundle of Adawehi's things and packing them up in a box, then carefully placing the box on the fire. It's a touching gesture, but I didn't like the fact that she wasted a useful wooden box like that.

The scene with the Cherokee shooting flaming arrows at the Muellers' cabin took me totally by surprise. It's a vivid and very dramatic scene, riveting to watch, but I'm just thankful that a stray arrow didn't ignite a forest fire by accident!

Herr Mueller's wife stumbles out of the cabin in her nightdress, and is immediately hit by one of the flaming arrows. She falls, Mueller runs toward her, and he is cut down in turn. I understand why they did this, as it makes for a very dramatic end to this story arc. Still, I can't help observing that Gerhard Mueller did not actually die in the books.

The next morning, Claire is lying in bed when Rollo starts barking in alarm. But it's only Jamie, home at last. To his credit, he notices at once how stressed and upset she is, and takes her into his arms. "Just hold me," she says. (Awwwww!!)

Later, Claire is out collecting firewood when she hears someone whistling a very familiar tune -- "Boogie Woogie Bugle Boy". It's Murtagh, of course, come to stay on Fraser's Ridge. I loved the choice of music there, because that particular tune is, of course, a reminder of their time looking for Jamie together in Episode 114, "The Search".

Suddenly we shift forward in time 200 years, and the sun is rising over Craigh na Dun. Roger is reading Brianna's letter.

"I found out something terrible is going to happen to my mother and Jamie. If I didn't try to go and help them, I would never have forgiven myself."

And if Roger doesn't go after her, he'll never forgive himself.

I like the 18th-century costume Bree is wearing, and I liked the way the camera swung around to show the empty space in front of the stone where she'd been a moment before.

Excellent episode! I can't wait for next week!
I hope you enjoyed this recap. Look here for my recaps of all of the OUTLANDER episodes so far, and please come back next week to see my recap of Episode 406.

Looking for a place to discuss All Things OUTLANDER? Check out, formerly the Compuserve Books and Writers Community. You have to sign up in order to read or post on the forum, but it's free.

Saturday, December 1, 2018

November poll results

Here are the results of the November poll, which asked the question, "How long have you been reading Diana Gabaldon's books?"
  • 2.20% - Less than 6 months
  • 3.76% - 6 months to 1 year
  • 7.24% - 1-2 years
  • 20.51% - 2-5 years
  • 11.50% - 5-10 years
  • 9.94% - 10-15 years
  • 8.94% - 15-20 years
  • 13.63% - 20-25 years
  • 7.10% - 25+ years
  • 13.06% - Since OUTLANDER was first published.
  • 0.14% - I read excerpts of her work on Compuserve before OUTLANDER was published.
  • 0.92% - I haven't read any of Diana Gabaldon's books, but I've watched the OUTLANDER TV series.
  • 1.06% - Other
There were 1409 responses to this month's poll. Thanks very much to everyone who participated!

Please take a moment to vote in the December poll, which asks, "Have you ever been to Scotland?"

Sunday, November 25, 2018

Episode 404: "Common Ground" (SPOILERS!)

Here are my reactions to Episode 404 of the OUTLANDER TV series, titled "Common Ground".


There are SPOILERS below! If you don't want to know yet, stop reading now.









I liked the opening shot, showing a Cherokee warrior getting dressed. Notice he's wearing what looks like a British officer's gorget as part of his costume.

As the episode begins, Jamie is in Governor Tryon's office, about to sign the land grant giving him possession of 10,000 acres of land, including Fraser's Ridge. Tryon gives him a map showing where his land is located.

This discussion about the Regulators, corrupt sheriffs, and so on, is providing important historical background, but it's not really relevant to this episode. I have a feeling they'll use parts of Tryon's speech in flashbacks later in the season, though.

"It's said that the Highlander has much in common with the Indian savage. Do you think it's so?" How on earth is Jamie supposed to answer that before he's even seen one of them?

"Well, there is the law, and there is what is done," Jamie says, echoing Tryon's exact words to him in their last conversation, in Episode 401 ("America the Beautiful"). I liked this. In this context, it seems to me that Jamie is saying that he is the one who will be responsible for keeping order on his own land, far away from the reach of judges and magistrates -- very much in the tradition of the Highland clans in which he was raised.

Meanwhile, in Wilmington, Claire is making her final preparations before their departure for the mountains. She meets Marsali, who is pregnant and suffering from morning sickness. I liked this scene, especially the part where Marsali talks about missing her mother.

"Your mother did a fine job raising you." I agree with this, and it's good to hear Claire say it out loud. Whatever you think about Laoghaire, in the books or show, she was in fact a good mother to Marsali and Joan.

So Fergus will be the one who goes in search of settlers for the Ridge. This is a change from the book, but since Duncan Innes has yet to make an appearance (and we don't even know if he'll be in the show), Fergus is really the logical person to do this. He knows Jamie well enough to understand the type of man Jamie's looking for, and the fact that he knew Hayes and Lesley will help in convincing any other Ardsmuir men he finds to trust him.

"We'll have a fine cabin waiting for you."
"The three of you can join us."

So Ian and Jamie make it clear that this separation is only temporary, that Marsali and Fergus and their baby will come to live on the Ridge before too long.

The little scene between Jamie and Claire is very touching, a good addition. Jamie senses what Claire is thinking before she says it, which is something we haven't seen much of in the TV show.

"I won't be there for her. Or a grandchild."  This is heartbreaking and ironic at the same time.

"When I was without you, I held onto thoughts of your face, your words, your heart. I clung to those memories when I didna want to stand, and I was thankful for them when I could." Good line.

As they ride away the next morning, the tall trees look very authentic to me. I have pine trees like that in my back yard in Raleigh, NC, some of them 90 feet tall or higher.

Back on Fraser's Ridge, the view is as spectacular as it was at the end of Episode 403.

"I'll never tire of this view," Claire says. "If this were a painting, people would say it wasn't real, that the artist had imagined it."  Good line.

Claire, reciting "My Country 'Tis of Thee", made me cringe a little, hoping she wouldn't in fact start singing. Not that I mind her singing, but it's MUCH too soon after the "America the Beautiful" bit at the end of Episode 401.

I'd never heard of "witness trees" before, but the only references I could find online were to trees that survived various pivotal moments in the Civil War, so I don't really understand why they're called that here. They are certainly distinctive-looking, though.

Idle thought:  Do you suppose the "F.R." on the tree would still be visible in the 20th century?

Claire telling Young Ian about bears made me wonder, are there no bears in the UK? Apparently not. According to this article, they went extinct many centuries ago.

Suddenly Rollo starts barking, announcing the arrival of five Indians, armed with muskets. They stand like statues, silent and menacing.

"Stay by the rifles," Jamie says. So his party is equipped with rifles, not muskets? That's a change from the book, or else he misspoke. In the books, rifles were newer technology, scarce and expensive, and it was mainly the sharpshooters in the army who had access to them.

Jamie walks forward and drops his knife to the ground, indicating his peaceful intent, and the Cherokee turn without a word and walk away. The drums in the background add considerably to the dramatic tension in this scene.

Abruptly the focus shifts to Oxford, 1971, and we see Roger, "distracted" and obviously still very much in love with Brianna.  He takes the book she gave him out of his desk drawer and we see that he has the drawing of the two of them at the Highland Games.

The book is open to a photo of Mt. Helicon, aka Grandfather Mountain. I liked the way they showed a brief montage of Jamie, Claire, and Young Ian on the Ridge while Roger was reading from the book. Notice Young Ian finding what appears to be an Indian arrowhead buried in the leaves.

I like the next scene, with Jamie and Claire looking over the just-started cabin and outbuildings. The way Jamie rolls his R's when he says "a rrrrrack for drrrrying meat" made me smile. I love seeing Jamie and Claire so happy together!

The bit about the crooked pole comes from the book (chapter 19, "Hearth Blessing"), showing Jamie's perfectionist tendencies <g> -- another aspect of his personality that doesn't often come through in the TV show.

And suddenly the Cherokee are back, on horseback this time. I'm glad they didn't subtitle the dialogue. It's much more realistic this way, just as it was in Season 1 with the Gaelic. I caught only the single word "Tsalagi", or Cherokee -- and only because I'm used to hearing it from the audiobook of A BREATH OF SNOW AND ASHES.

Again we hear the drums as the riders gallop away.

Back in Oxford in 1971, Roger receives a packet of documents from the author of the book about Scottish settlers in North Carolina. The cover letter says that she is sending a photocopy of a 19th-century map of the area, as well as an archaeological survey believed to show evidence of the first (white) settlers in the area of Fraser's Ridge.

What he has, of course, is a copy of the land grant with Jamie Fraser's signature at the bottom, and the map that Tryon gave Jamie. I love Roger's shocked reaction as he realizes what he's looking at.

The other document in the packet is a letter dated 21 February 1769. I'm not sure who wrote it, but I'm very confident that we'll find out later this season.

So Roger calls Bree, and they make awkward conversation at first, until he blurts out, "I have some news about your mother."

I had to smile at the mention of Grandfather Mountain. Yes, this is a real place (pictured above) and they really do have a very large Highland Games there every summer. (Diana Gabaldon has said that Fraser's Ridge is located in this area, in the general vicinity of Boone or Blowing Rock, NC.)

When Bree says, "...despite everything that happened," and Roger replies, "Of course," with a slight shrug, I thought of Jamie's reaction after the big argument by the roadside in Episode 109, "The Reckoning":
But the truth is, I'd forgiven everything she'd done and everything she could do long before that day. For me, that was no choice. That was falling in love.
I think Roger feels the same way about Bree.

Meanwhile, back on the Ridge (and it gives me a little thrill just to write that -- I'm so happy the show has finally reached this point!), Claire worries that maybe they should settle somewhere else, where the (evidently hostile) Cherokee won't be so close by. Jamie correctly points out that if the Cherokee want to come after them, they will, no matter where they settle.

"I canna tell you what it is for me to feel the rightness of this place."  They changed this line somewhat from the book. The part that follows is one of my favorite Jamie-quotes from DRUMS:
"How shall I tell ye what it is, to feel the need of a place?” he said softly. “The need of snow beneath my shoon. The breath of the mountains, breathing their own breath in my nostrils as God gave breath to Adam. The scrape of rock under my hand, climbing, and the sight of the lichens on it, enduring in the sun and the wind.”

His breath was gone and he breathed again, taking mine. His hands were linked behind my head, holding me, face-to-face.

“If I am to live as a man, I must have a mountain,” he said simply.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 19, "Hearth Blessing". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
In the middle of the night, Rollo starts barking. Inexplicably, considering that they're alone in the middle of the wilderness, they don't react at once. What's the use of having a guard (wolf-)dog if you don't pay attention when he's trying to warn you of danger?

Outside in the dark, they discover that the meat they'd hung up in a tree the night before is gone, and one of their horses is injured, with long bloody scratches on its side, obviously made by something with powerful claws.

The next day, Jamie goes to see John Quincy Myers. I like Myers' backwoodsman's costume very much. He tells Jamie that the Cherokee have warned about "an evil spirit in the form of a bear", and offers to take some tobacco to them as a sort of peace offering.

I like the next scene, with Claire and Young Ian. They've caught some fish, but torn the net used to catch them, so Young Ian sets about repairing it. "It's akin to knitting," he says, and is astounded when Claire admits she doesn't know how to knit.

In the book, of course, this scene is between Jamie and Claire, but I think it's a reasonable change to give Jamie's lines to Young Ian. He hasn't had a lot to do so far in this episode, and it's good to show him interacting with Claire.

"Uncle Jamie knitted me a fine pair of stockings for my baptism."

Young Ian says this very matter-of-factly, but I was struck by the mental image conjured up by his words. I'm picturing Jamie, alone in the cave a few days after Ian's birth -- shortly after the very frightening incident in Episode 302 ("Surrender") where the Redcoats invaded Lallybroch --  knitting a wee pair of baby stockings, and, inevitably, thinking about Claire, and the child he thinks he'll never see. The thought is just heartbreaking.

In the next scene, Claire is practicing her marksmanship. I hope they have enough powder and shot to justify spending it on target practice! (Side note: Has Jamie had a haircut partway through this episode or something?  His hair suddenly is back to the style he wore all the way back in Season 1.)

Meanwhile, the Cherokee are on the move, marching through the woods at night.

Again Jamie, Claire, and Ian are awakened by Rollo, and this time they react much faster. Rollo discovers Myers lying nearby, badly injured by what appears to be a bear's claws.

As Claire tends to Myers, we see glimpses of some sort of Cherokee pipe ceremony, featuring Adawehi (the elderly female known as Nayawenne in the books).  It's difficult to make out what they're doing in the very dim light.

Examining Myers' wound, Claire discovers bite-marks, evidently made by human teeth. And just as she says, "It wasn't a bear," Jamie finds himself locked in a life-and-death struggle with the creature.

Too bad it wasn't an actual bear -- I'm sure Sam would have been up for it <g> -- but I wasn't seriously expecting Sam to wrestle a real bear; the logistics of filming and the risk of serious injury obviously would make it impractical.

Eventually Jamie manages to overpower and kill it. He drags the creature on a travois all the way to the Cherokee village (how did he know where they were?) and literally dumps it at their feet. And at that point, he discovers that one of the Cherokee men speaks perfect English.

So this man was banished for having sex with his mate without her consent? I wonder if the Cherokee actually would banish a man for doing that, or if this is something the writers made up.

"But we could not kill what was already dead to us." I don't like this. So they were essentially helpless, until the "King of Men", Jamie Fraser, came along to save them. That "white savior" stereotype is centuries old, and I really didn't like seeing it play out here.

And then we see Myers, recovering from his injury, saying, "I'll do whatever you say, Mistress. I owe you my life."  He's supposed to be an experienced mountain man, accustomed to the wilderness, and yet he, too, was essentially helpless until Claire came along and saved his life. Shades of #SuperClaire from Season 3, and I didn't like that either.

Suddenly the Cherokee are back. Their chief, Nawohali (aka Nacognaweto in the books), gives Jamie the name of "Bear-Killer".

The scene with Adawehi (aka Nayawenne in the books) is taken almost word-for-word from the book (DRUMS chapter 20, "The White Raven"). Tantoo Cardinal is wonderful as Adawehi, managing to convey kindness, intelligence, and wisdom through her facial expressions and body language alone. I hope we see more of her this season.

"When your hair is white like snow, you will have wisdom beyond time." Interesting way of putting it.

Back in 1971, Roger has returned to the manse in Inverness to collect the last of his things.

"You mean when she went back in time to find Jamie Fraser." That made me laugh out loud. Fiona is smarter than we've given her credit for!

So the Reverend had a copy of the newspaper clipping about the fire, and Mrs. Graham got hold of it and kept it all those years?

"The date's smudged. 21st of January, 1770-something."  Roger doesn't know the exact date of the fire. Interesting.

Roger knows Bree will be devastated, and he decides not to tell her, for that reason.

Back on the Ridge, they're making progress in building the cabin. I liked the scene where Jamie carries Claire over the threshold. <g> "It's perfect," Claire says, and again I'm delighted to see them so happy at long last.

Roger, on the other hand, is definitely not happy. He's still struggling with the question of whether to tell Bree about the death notice or not. Finally he calls her apartment in Boston, only to find that Bree has gone to Scotland, "to visit her mother."

And as the episode ends, Roger is sitting there in a state of shock, feeling his whole world fall apart. Perfect way to end the episode!
I hope you enjoyed this recap. Look here for my recaps of all of the OUTLANDER episodes so far, and please come back next week to see my recap of Episode 405.

Looking for a place to discuss All Things OUTLANDER? Check out, formerly the Compuserve Books and Writers Community. You have to sign up in order to read or post on the forum, but it's free.

Friday, November 23, 2018

Happy Birthday, Brianna!

Happy Birthday, Brianna!! According to the Timeline on Diana Gabaldon's website, Bree was born on November 23, 1948. (Coincidentally, today also happens to be my own birthday. <g>)

In celebration of Bree's birthday, I'm reposting my ABC's of Brianna.  I borrowed this idea from a writer's exercise that was posted on the Compuserve Books and Writers Community (now a few years ago. The idea is to list one word pertaining to the character for each letter of the alphabet, along with a brief explanation. Here's my alphabet for Brianna.

All quotes from the OUTLANDER books are copyright © Diana Gabaldon, of course.

* * * SPOILER WARNING!! * * *

If you haven't read all of the OUTLANDER books, you will find Major Spoilers below! Read at your own risk.









A for Artistic. I like Bree's artistic side very much, especially because it's something that she did not inherit from either of her parents.

B for Boston, where Brianna was born and raised.

C for Catholicism.  Bree attended parochial schools as a child, and her Catholic faith is important to her, but she's not bothered by the fact that Roger is a Presbyterian.

D for the Dreambook, in which Bree records her dreams and her most private thoughts. She can be a hard person to get to know, and I think the Dreambook helps, by giving us a glimpse into a part of herself that she won't talk about, even to Roger.

E for her Engineering skills:
Before being forcibly returned to the surgery, Jamie had estimated the buffalo’s weight at something between eighteen hundred and two thousand pounds. Brianna had nodded at this, handed Jemmy to Lizzie, then walked slowly around the carcass, squinting in deep thought.

“Right,” she’d said, and as soon as the men began to appear from their homesteads, half-dressed, unshaven, and wild-eyed with excitement, had issued cool directions for the cutting of logs and the building of a pulley-frame capable of hoisting and supporting a ton of meat.

(From THE FIERY CROSS by Diana Gabaldon, chapter 92, "I Get By With a Little Help From My Friends". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
F for Frank Randall, the man who was "Daddy" to her all her life. He may not have been her biological father, but there's no doubt that he loved her very much.

G for the Gathering at Mt. Helicon, where Bree and Roger were married.

H for Hunting.  Bree is a surprisingly good shot with a musket.
She swung around, sighted on it as it left the ground, caught the black blob outlined for a split second against the brilliant sky, and blasted it in the tail feathers. It dropped like a sack of coal, and hit the ground forty yards away with an audible thud.

(From THE FIERY CROSS by Diana Gabaldon, chapter 20, "Shooting Lessons". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
I for Ingenuity and Inventions. My favorite example is the the snake-fang syringe, which saved Jamie's life after he was bitten by a snake in FIERY CROSS, by giving Claire a way to inject penicillin directly into his bloodstream.

J for her son, Jem. And for Jamie, of course.

K for the Kiln she built on the Ridge, to make clay pipes to carry water. Also for Bree's habit of Kicking solid objects, like trees, when she gets angry or frustrated.

L for Lallybroch. Also for Lizzie, who accompanied Bree to America and became a valued member of the Fraser's Ridge community.

M for her daughter, Mandy.  Also for Matches, a 20th-century invention that Bree introduced in A BREATH OF SNOW AND ASHES.

N for the Newspaper clipping announcing the deaths by fire of Jamie and Claire on January 21, 1776. If it hadn't been for that newspaper clipping, Bree might never have gone back through the stones, Roger would never have come after her, and all that followed would never have happened.

O for Only child. Like Roger and Claire, Bree grew up without siblings. When she visits Lallybroch in DRUMS, she experiences for the first time what it's like to be part of a large family.

P for Parents. Brianna loves all three of her parents -- Claire, Jamie, and Frank -- very deeply. I love watching the way her relationship with Jamie evolves over the course of the series.

Q for Quest. It took many months, including a trip through the stones and a long sea voyage, but Bree found Jamie Fraser at long last.
"You can ... call me Da," he said. His voice was husky; he stopped and cleared his throat. "If--if ye want to, I mean," he added diffidently.
"Da," she said, and felt the smile bloom easily this time, unmarred by tears. "Da. Is that Gaelic?"
He smiled back, the corners of his mouth trembling slightly.
"No. It's only .... simple."
And suddenly it was all simple. He held out his arms to her. She stepped into them and found that she had been wrong; he was as big as she'd imagined--and his arms were as strong about her as she had ever dared to hope.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 41, "Journey's End". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
R for Roger, of course.  Also for Resourceful. Bree is a good person to have around in a crisis.

S for Stephen Bonnet. The rape had a profound impact on Brianna for years, but in the end she showed mercy by shooting him in order to keep him from drowning.

T for Time-Travel, without which Brianna might not have survived to be born in the first place.

U for Underwear, or the lack of it.
"I got out of the habit in the eighteenth century,” she snapped, plainly taking the huff. “I only wear knickers for ceremonial purposes anymore."

(From AN ECHO IN THE BONE by Diana Gabaldon, chapter 28, "Hilltops". Copyright© 2009 by Diana Gabaldon. All rights reserved.)
V for Virgin. Bree was a virgin on her hand-fasting night.

W for Work. Having a career is important to Brianna, just as it has always been for her mother. I like the echoes, in this scene, of Claire and Jamie's argument in DRAGONFLY about working at L'Hôpital des Anges.
"Job?" [Roger had] said stupidly.

"Job," she’d repeated, narrowing her eyes at him.

He had been swift enough to suppress the automatic "But you’ve got a job" that had sprung to his lips, substituting a rather mild--he thought--"Why?"

Never one for quiet diplomacy, she’d fixed him with a stare and said, "Because one of us needs to work, and if it isn’t going to be you, it’ll have to be me."

(From AN ECHO IN THE BONE by Diana Gabaldon, chapter 16, "Unarmed Conflict". Copyright© 2009 by Diana Gabaldon. All rights reserved.)
X for her eXplosive temper.
"Now, sweetheart..." Roger began. I could have told him this was a mistake; Frasers in a fury tended to pay no attention to honeyed words, being instead inclined to go for the throat of the nearest party unwary enough to speak to them.

"Don't you 'sweetheart' me!" she snapped, turning on him. "You think so, too! You think everything I do is a waste of time if it isn't washing clothes or cooking dinner or mending your effing socks! And you blame me for not getting pregnant, too, you think it's my fault! Well, it's NOT, and you know it!"
(From A BREATH OF SNOW AND ASHES by Diana Gabaldon, chapter 21, "We Have Ignition". Copyright© 2005 by Diana Gabaldon. All rights reserved.)
Y for Young. Bree was only nineteen years old when we first met her in DRAGONFLY, naive and inexperienced in many ways, and certainly not the seasoned world-traveler that both of her parents were at the same age. She's changed quite a lot in the last few years!

Z for the Zipper of her jeans, which she used as a weapon to fend off Rob Cameron.

I hope you enjoyed these! Here are the other posts in this series:

ABC's of Jamie Fraser
ABC's of Claire Fraser
ABC's of Roger
ABC's of Lord John Grey
ABC's of the OUTLANDER TV Series

Thursday, November 22, 2018

Happy Thanksgiving!

Happy Thanksgiving to all of you who are celebrating today! Here are some Thanksgiving-themed quotes from the OUTLANDER books. This has become an annual tradition here on Outlandish Observations, and I hope you enjoy them!


If you haven't read all of the OUTLANDER books, you will encounter spoilers below! Read at your own risk.

1) Roger and Brianna, hunting turkeys:
"What a thing," he said. He held it at arm's length to drain, admiring the vivid reds and blues of the bare, warty head and dangling wattle. "I don't think I've ever seen one, save roasted on a platter, with chestnut dressing and roast potatoes."

He looked from the turkey to her with great respect, and nodded at the gun.

"That's great shooting, Bree."

She felt her cheeks flush with pleasure, and restrained the urge to say, "Aw, shucks, it warn't nothin'," settling instead for a simple, "Thanks."

(From THE FIERY CROSS by Diana Gabaldon, chapter 20, "Shooting Lessons". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
I love this scene, especially for Roger's reaction. He's a little taken aback by her shooting skills, but his ego doesn't seem to be threatened by the fact that she's better at hunting (providing food for the family) than he is.

2) Claire and Jamie receiving gifts from the local Native Americans, very much in the spirit of the Pilgrims' first Thanksgiving:
Once the official introductions were over, Nacognaweto motioned to Berthe, who obediently brought out the large bundle she had carried, and opened it at my feet, displaying a large basket of orange and green-striped squash, a string of dried fish, a smaller basket of yams, and a huge pile of Indian corn, shucked and dried on the cob.

“My God,” I murmured. “The return of Squanto!”

Everyone gave me a blank look, and I hastened to smile and make exclamations--thoroughly heartfelt--of joy and pleasure over the gifts. It might not get us through the whole winter, but it was enough to augment our diet for a good two months.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 20, "The White Raven". Copyright© 1997 by Diana Gabaldon. All rights reserved.)

3) Jocasta and Duncan's wedding feast:
"Can ye not decide where to begin, Sassenach?" He reached down and took the empty wineglass from her hand, taking advantage of the movement to come close against her back, feeling the warmth of her through his clothes.

She laughed, and swayed back against him, leaning on his arm. She smelled faintly of rice powder and warm skin, with the scent of rose hips in her hair.

"I'm not even terribly hungry. I was just counting the jellies and preserves. There are thirty-seven different ones--unless I've missed my count."

He spared a glance for the table, which did indeed hold a bewildering array of silver dishes, porcelain bowls, and wooden platters, groaning with more food than would feed a Highland village for a month.

(From THE FIERY CROSS by Diana Gabaldon, chapter 46, "Quicksilver". Copyright© 2001 by Diana Gabaldon. All rights reserved.)
Most major holiday dinners give me this same feeling, although I can't say I've ever seen thirty-seven different varieties of *anything* at one meal before. <g>

4) The "hearth blessing" on Fraser's Ridge:
We blessed the hearth two days later, standing in the wall-less cabin. Myers had removed his hat, from respect, and Ian had washed his face. Rollo was present, too, as was the small white pig, who was required to attend as the personification of our "flocks," despite her objections; the pig saw no point in being removed from her meal of acorns to participate in a ritual so notably lacking in food.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 19, "Hearth Blessing". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
Considering how successful that little homestead on the Ridge would prove to be, I think there must have been something extra-powerful in that blessing. <g> And I love the mention of the little white piglet, who will grow up to become the infamous White Sow. If this blessing was intended to ensure fertility on the part of that sow, it succeeded beyond their wildest dreams.

5) The Selkirk Grace:
[Hamish] glared round the table to insure that everyone was in a properly reverential attitude before bowing his own head. Satisfied, he intoned,

"Some hae meat that canna eat,
And some could eat that want it.
We hae meat, and we can eat,
And so may God be thankit.

(From OUTLANDER by Diana Gabaldon, chapter 6, "Colum's Hall". Copyright© 1991 by Diana Gabaldon. All rights reserved.)
Happy Thanksgiving! (And to those of you outside the U.S., best wishes for the holiday season.)  If you're looking for OUTLANDER-related food ideas, check out this OUTLANDER Thanksgiving Feast posted by Theresa Carle-Sanders, author of the OUTLANDER Kitchen cookbook.

Sunday, November 18, 2018

Episode 403: "The False Bride" (SPOILERS!)

Here are my reactions to Episode 403 of the OUTLANDER TV series, titled "The False Bride". I thoroughly enjoyed this episode, and I think it's the best one of the season so far.


There are SPOILERS below! If you don't want to know yet, stop reading now.









The opening shot shows the giant effigy of a stag that is featured at the Gathering near the end of the episode. A very striking image!

The episode opens in Inverness in 1970, with Roger moving out of the manse, and Fiona and her new husband Ernie moving in.

"You're leaving Scotland to go to a Scottish festival?" That made me giggle.

So Bree has transferred to MIT to study engineering, just as in the book. That's good.

"I may not read tea leaves like my grannie, but I can see you're in love with her," Fiona says. "Now go get her." I like that.

Meanwhile, back in the 18th century, we pick up where Episode 402 ("Do No Harm") left off, with Jamie and Claire preparing to leave River Run. Watching Jamie with his Aunt Jocasta, I kept thinking, doesn't he own a comb? Or at least have access to one he could borrow, in a house as grand as this?  That wig with the unkempt fringe is really starting to bother me.

"I heard there's a town with a great number of Scottish settlers there."
"Aye, Woolam's Creek."
"Claire can practice her healing, I can find work as a printer."

Town?? They're headed into the backcountry, aka the wilderness. In the book, there was nothing resembling a town in that area, certainly not a town large enough to need the services of a printer.  But they got the name right, at least. In the books, Woolam's Creek is a little settlement that eventually developed at the base of Fraser's Ridge.

I liked the awkward little bit where Jamie tries to give Jocasta the bag of coins, but of course she doesn't react until he puts it into her hand. That seems realistic. Notice that he did take the money after all (watch what he's doing as she says, "And one last thing....")

The box with Jamie's mother's things is a nice touch. I have a feeling they'll make use of that, later.

The next scene, with Jamie and Young Ian, is very good. "You sailed to France when you were younger than I am now" is a bit of an exaggeration; Jamie didn't go to Paris until he was eighteen. But nitpicking aside, I liked the way Young Ian stood up for himself.

"I'm no the same lad ye kent in Scotland." No, he's not, and I like very much the way he's maturing this season. It's entirely appropriate for him to be the one to write to Jenny and Ian to inform them of his decision to stay in America.

The farewell scene between Claire and Jocasta is very awkward, made even more so by the physical distance between them. I didn't like the way Claire stayed by the door at first, not even coming close enough to speak to Jocasta face-to-face, as though she couldn't bear to be in her presence.

"If ye truly loved Jamie as much as ye say ye do, you'd want him to be the man he was born to be." This strikes me as very strong foreshadowing of the end of this episode.

I laughed out loud when I saw Clarence. Another piece of their future life falling into place. <g> And it's good to see John Quincy Myers again.

Back in 1970, Bree meets Roger on his arrival at the airport. "North Carolina, here we come." Wow, that's a long way to drive! I'm not sure what airport that's supposed to be, but it must be 900 miles, at least, from Boston to the North Carolina mountains, and easily 500 miles or more from NYC, if he arrived at JFK.  In the book, the Celtic Festival is about 150 miles from Boston, a reasonable driving distance. I can understand that they wanted to show Roger and Bree in the mountains in the same location as Jamie and Claire, but the logistics don't make any sense. Oh, well.

At any rate, I'm glad to see Bree's blue Mustang. <g>

The view as they drive into the Blue Ridge Mountains is pretty realistic. Roger picked a particularly beautiful time of year to visit. Most of the dialogue in this scene comes from the book (DRUMS OF AUTUMN chapter 3, "The Minister's Cat"), and I was pleased to see they at least attempted to include the word "coccygodynious", which is one of my favorites among all the unusual words in the OUTLANDER books. Too bad they mangled the pronunciation of both that word and "alagruous", though.

Sophie Skelton's American accent is much better in this episode than it was in previous seasons, IMHO. It sounds much more natural.

I loved the bit where Bree kisses Roger and nearly causes him to run off the road. <g> And the transition at the end of that scene, where the view of the blue Mustang heading toward the mountains morphs into a view of Jamie and Claire's wagon and horses heading toward the very same mountains, was very clever. It reminded me strongly of the scene in Episode 108 ("Both Sides Now") where we saw Frank on one side of a distinctive rock formation, heading toward his car, and Claire, on the other side of the same rock but in another century, being dragged off by the Redcoats.

Notice that Myers makes a point of showing them where Mt. Helicon is, and mentioning the Gathering held there every year.

"I love this land," says Young Ian. And really, looking out at that sweeping vista with the gorgeous autumn foliage, what's not to like? <g> That looks like a pretty realistic view of the Blue Ridge Mountains to me. The waterfall is gorgeous. And I liked the bald eagle.

So Young Ian announces that he's going to go with Myers, evidently for no other reason than to get a closer look at the Indians, and Jamie agrees, saying only, "Dinna get your heids scalped."

Claire is right, of course, about Boston being dangerous soon. It's no more than a couple of years before the Boston Massacre, which took place in March 1770.

"I want us to make a home together. A place that's ours."  Awwww! Good line. Notice the Jamie and Claire theme playing in the background.

I'm enjoying the glimpses of wildlife in this episode, including the pair of turkeys shown here.

Hearing thunder in the distance, Jamie says, "There's a storm coming. We'll abide in a tavern when we reach the town." Um, Jamie?  You realize you're in the middle of the woods, right? Do you see any towns nearby, let alone taverns?

It's nice to see them attempting a little light-hearted banter for once, though. Claire, teasing Jamie about living in a brothel, smiles in a way we've rarely seen before.

As the scene ends, we get a quick glimpse of the Blue Ridge Mountains in the distance.

"I thought ye said you wanted to live in a town, in the backcountry?"  That's an oxymoron, I think. They still don't really understand what living in the backcountry is going to involve.

This next bit comes from one of my favorite scenes in DRUMS, the "rowboat scene" in Chapter 13, "An Examination of Conscience".

"If it was only me, I would live as [an outlaw] again. And when I was auld, I would lie under a tree and let the wolves gnaw at my bones. But it's not just me. It's you. And Ian. Fergus, Marsali. You understand? I would lay the world at your feet, Claire, but I have nothing to give you."

But the emotional intensity of the original scene is mostly lost here, in Sam's calm delivery, which I found disappointing. Jamie doesn't seem anguished, or even particularly upset. And Claire? She just looks at him and says nothing. Quite a contrast from her reaction in the book:
He honestly thought it mattered.

I sat looking at him, searching for words. He was half turned away, shoulders slumped in despair.

Within an hour, I had gone from anguish at the thought of losing him in Scotland, to a strong desire to bed him in the herbaceous borders, and from that to a pronounced urge to hit him on the head with an oar. Now I was back to tenderness.

At last I took one big, callused hand and slid forward so I knelt on the boards between his knees. I laid my head against his chest, and felt his breath stir my hair. I had no words, but I had made my choice.

“ ‘Whither thou goest,’ ” I said, “ ‘I will go; and where thou lodgest, I will lodge: thy people shall be my people, and thy God my God: Where thou diest, will I die, and there will I be buried.’ ” Be it Scottish hill or southern forest. “You do what you have to; I’ll be there.”

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 13, "An Examination of Conscience." Copyright© 1997 by Diana Gabaldon. All rights reserved.)
Suddenly Clarence the mule runs off, carrying most of their baggage, and Claire takes off after him, leaving Jamie behind.

Meanwhile, back in 1970, Roger and Brianna are attending a Highland festival that looks very similar to the Grandfather Mountain Highland Games held every year in Linville Gorge, NC, in the area where Fraser's Ridge is supposed to be located. Scottish dancing, caber-tossing, men in kilts everywhere! If you've never been to one of these gatherings, I highly recommend it. They're a lot of fun, even if you don't have a drop of Scottish blood. <g> Here's my blog post about my first visit to the Grandfather Mountain Highland Games in 2010.

Naturally, being surrounded by All Things Scottish makes Brianna think of her mother. Richard and Sophie are both very good through this whole sequence, very comfortable with one another. And maybe it's just me, but I'm finding Roger's Scots accent easier to understand in this episode.

The bit with the portrait was a surprise, but now we see where the sketch of Bree in the opening credit sequence may have come from.

I liked the ceilidh dancing scene. The fiddle music is upbeat and fun, Bree and Roger are clearly having a good time, and their enthusiasm is infectious. It's wonderful to see both of them looking so happy!

Back to Jamie, alone in the woods. Clarence has returned, but Claire is nowhere to be found. And Claire, for her part, is lost in the woods, alone without food or supplies, lying unconscious on the ground in the middle of a severe thunderstorm. And before we can even absorb all of that, the scene shifts again. (Building up the suspense for non-book-readers.)

I loved hearing Richard Rankin singing!  The song, "The False Bride", is not one I'm familiar with, but it's lovely. You can see the lyrics here.

So Bree gives Roger a book about "Scottish Settlers in Colonial America". It's not hard to guess where that's going to lead, if you know the books. Bet you anything there's a death notice buried in the pages of that book somewhere, and Roger's going to find it.

The scene with Roger and Bree in the cabin is very good, capturing the essence of the scene in the book (DRUMS, chapter 18, "Unseemly Lust"). I'm very glad they included the bracelet.

"This whole weekend's been perfect," Roger says -- and then it all comes crashing down in the next moment. He's talking about having a home, and kids, and she's clearly not ready, but he's not listening. Most of this scene is taken almost word-for-word from the book. Great job by both Richard and Sophie!

"I love you, dammit! But you don't love me."
"I didn't say that."
"You didn't have to."

And as he walks out, I'm left wondering how on earth they're going to manage that long drive back home. "Awkward" doesn't begin to cover it. <g>

Thunder and lightning bring us back abruptly to Claire's situation, waking alone in the woods in the middle of a storm. I was actually less worried about her ability to survive this in the show than in the book, probably because it hasn't been all that long since we saw her in Episode 311 ("Uncharted"). We know she has very good survival skills and doesn't scare easily, even when left on her own.

She finds a bit of shelter under a fallen tree and takes her boots off, and then she notices the skull half-buried in the ground nearby. As if that isn't spooky enough, we hear the sound of wolves howling nearby, reminding us that she's alone and defenseless. (I thought that was a good addition.)

The opal is much bigger than I thought it would be, but there's no question what it is, or who it belonged to. When Otter-Tooth's ghost appears, he's wearing the opal on a cord around his neck. I didn't expect that, but I like it.

He's not nearly as scary or savage-looking in appearance as the description in the book:
He was tall, and he was naked. Beyond a breechclout, he wore nothing but paint; long stripes of red down arms and legs and torso, and his face was solid black, from chin to forehead. His hair was greased and dressed in a crest, from which two turkey feathers stiffly pointed.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 23, "The Skull Beneath the Skin." Copyright© 1997 by Diana Gabaldon. All rights reserved.)
But as he turns around, you can see blood on the back of his head, in the same place where Claire noticed what appear to be cracks in the skull.

Back in 1970 at the Highland Festival, Roger and Bree attend the Calling of the Clans. At least they're still on speaking terms. But then Bree says, "Maybe I don't believe in marriage at all," and I start to wonder how Roger is going to talk her into the hand-fasting later on. Wait and see, I guess.

The Calling of the Clans was fun to watch, but what I saw in both Roger and Bree's faces as he said, "The MacKenzies are here!" was utter misery.

I liked the burning of the stag. A very dramatic visual, to say the least! But that shot of Roger standing there in front of the bonfire, feeling his dreams of life with Brianna go up in flames like the stag, is painful to watch.

Back in the 18th century, Claire wakes the next morning to find the storm has passed. Her boots are gone, but there are footprints leading away from her shelter. She takes the skull and the opal and follows the footprints, which eventually lead her back to Jamie.

And just as in the book, Claire's boots mysteriously appear out of nowhere. So we're meant to believe that the ghost led both Jamie and Claire to that spot by the stream? That's a little different from the book, but I'm not complaining. I liked Claire's reaction to the realization that the skull belonged to a time-traveler.

The scene in the strawberry field is well done, if truncated somewhat from the book. The landscape here is just gorgeous, and I can understand why Jamie says, "This must be the most beautiful land I've ever seen."

"I know that look on your face, Jamie Fraser. You're in love."  That made me laugh, but it's true. He's found his place at last.

I'm so glad they included this bit from the book (Chapter 19, "Hearth Blessing"):

"Do ye trust me, Claire?"
"With my life."
"And with your heart?"

I love that last shot, looking out over the gorgeous scenery, as Jamie says, "And we'll call it Fraser's Ridge." Awwwww! Wonderful, just wonderful, and a perfect way to end this episode.
I hope you enjoyed this recap. Look here for my recaps of all of the OUTLANDER episodes so far, and please come back next week to see my recap of Episode 404.

Looking for a place to discuss All Things OUTLANDER? Check out, formerly the Compuserve Books and Writers Community. You have to sign up in order to read or post on the forum, but it's free.

Sunday, November 11, 2018

Episode 402: "Do No Harm" (SPOILERS)

Here are my reactions to Episode 402 of the OUTLANDER TV series, titled "Do No Harm".


There are SPOILERS below! If you don't want to know yet, stop reading now.









The opening shot of a slave (Phaedre?) winding an ornate and beautiful grandfather clock is very appropriate.

As the episode begins, Jamie is in a somber mood, blaming himself for the incident on the river at the end of Episode 401 in which Stephen Bonnet and his gang attacked and robbed them, killing Lesley and stealing their gemstones and Claire's ring. I like the way the overcast skies seem to reflect Jamie's mood.

"Now that murderous bastard's free to prey upon others. That's my cross to bear." Good line, and of course he's right. (Serious foreshadowing, for anyone who's read the books!)

River Run looks grand and elegant, very much in the style of old Southern plantation houses. I like the look of it from the outside, but naturally the sight of such wealth and opulence just reminds Jamie of how much they've lost.

"Now we're penniless."
"It wouldn't be the first time. You hadn't a shilling to your name when we were first married."

I like this (complete with the Jamie and Claire theme playing in the background). It's not in the book, but it's true enough, after all. As is her reminder that Jocasta is family.

Watching Jamie take off his hat, bowing to Jocasta, I couldn't help wondering why on earth he didn't bother to comb his hair before meeting her? (It's not Jamie's fault. I blame the wig.)

I liked the scene where they meet Jocasta. Maria Doyle Kennedy is really wonderful as Jocasta, and it's fascinating to see how she greets them, relying on touch and sound in place of visual cues. The bit with Young Ian offering Jocasta a posy of flowers was a clever way to introduce, right from the start, the fact that Jocasta is blind. Ulysses isn't quite what I pictured, physically, but that doesn't matter at all. He acts exactly as described in the books, always at Jocasta's side, quietly informing her of things she can't see.

"I am now gifted with hearing that would be the envy of many a gossip, and the ability to scent truth from lies, if ye catch my meaning."

I didn't care for this line. Why would Jocasta's blindness give her an advantage in detecting falsehoods?

As they walk up the path toward the house, you can see the slave cabins off to the right.

I love the interiors of River Run. Production designer Jon Gary Steele did a wonderful job with all the details, everything from the porcelain teacups to the furnishings in Jocasta's parlor.

I don't find it believable that Jocasta was keeping a close eye on Jamie all these years. Maybe she did know about his being in the wine business in Paris all those years ago, but how on earth would she have found out about what he was doing in Edinburgh, considering that he was living there under an alias?

The scene with Ian, Rollo, and the story of the skunk adds a welcome bit of humor, and I'm glad they included it, but I can't understand why they didn't shoo the dog out of the house the moment they detected the stink. Instead, they let him loiter in the hall just outside the parlor, presumably spreading the stench over everything he touched. (I'll have to suspend disbelief on this point.)

As they follow Ulysses up the grand staircase to their room, Jamie remarks on the similarities between Jocasta and his mother, Ellen.

"I always wished ye'd kent my mother, but having ye meet my aunt is...just fine." I like that, and the way Jamie and Claire smile at each other when he says it.

I love the shocked look on Ulysses' face when Claire says, "Call me Claire." And she hastily amends that to "Mistress Claire."

And here's our first look at Phaedre, played by Natalie Simpson. She's beautiful, and I enjoyed watching her in this episode. She has a way of reacting with her body language more than with words, so you have a pretty good idea what she's thinking.

Claire turns to the window, watching the slaves working in the fields nearby, and there's no question what she's thinking, either. Jamie's attempt to cheer her up with, "One day, it will all be different," doesn't help.

I liked the next scene, with Young Ian and John Quincy Myers. Myers' physical appearance reminds me irresistibly of Hagrid in the Harry Potter movies, but he sounds like Myers did in the book, and I enjoyed listening to him talk.

"I've been allowing my beard to grow," Ian says. (Oh, really? If he has, it's very hard to see.)
"You've a long wait on your hands," Myers replies, making me laugh.

Throughout their whole conversation about the Indians, I couldn't take my eyes off the young slave boy, filling the tub from a wooden bucket. Ian and Myers basically ignore him as though he's invisible.

"Indians dinna sound that much different from Highlanders." It's fitting that Ian should be the first to recognize that, though I'm looking forward to Jamie coming to that same realization himself, eventually.

The next scene, with Jamie and Jocasta on the porch discussing slavery, is well done. I like Claire's red dress.

"Over the years, I've found my slaves to be more productive when treated with benevolence. [....] Why, some of them are so dear to me, I consider them friends."

Notice Claire's body language throughout this whole speech. I'm impressed that she managed to keep her mouth shut as long as she did, and not at all surprised that she got the hell out of there as quickly as she could.

In the next scene, with Lt. Wolff, I didn't find it believable that Jamie (who's been in the Colonies only four months) would be offering advice on agriculture.

"The cultivation of wheat along the river will likely bring ye a bushel of regret." That's a nice turn of phrase.

"Rice, however, would thrive along the river." Since when is Jamie an expert on the cultivation of rice, a crop that certainly doesn't grow in the much colder climate of Scotland? By the way, if you're skeptical (as I was) about the idea of growing rice in North Carolina, check out this article on the history of rice cultivation in the Cape Fear region.

I liked Jocasta's observation that "a woman's unsolicited views are not always welcome." Obviously something she learned from experience!

The scene with Claire being fitted for a new gown is taken mostly from the book (Chapter 10, "The Return of John Quincy Myers"), with only minor changes.

"She's got bonny eyes of indigo, and a bosom lassies would dream of," says Phaedre. Of course she can't describe Claire as having golden eyes like a tiger's, when TV Claire does not. I was a little surprised to hear Phaedre speaking in a Scottish accent, but it's plausible, for the same reason that the slave Josh, in the book, spoke that way.

I like Jocasta's gown in this scene. That's a lovely color.

Jocasta, asking Claire what she thinks of River Run: "Many others have marvelled at its grandeur. But what is it that ye most admire?" Is she just fishing for compliments?

When Claire says, "I don't agree with keeping people as property," notice how Phaedre looks up -- staying quiet, so her mistress won't notice.

I like this whole discussion between Claire and Jocasta, two strong-willed, opinionated women with opposing views. It's a pleasure to watch. Very entertaining.

Claire is a very bad liar, but she's forced to think quickly in order to answer Jocasta's question about how she came to share Quakers' views on slavery. " some Quakers once." Good effort, though it didn't sound very convincing.

"[Jenny] made mention in her letters [...] that ye were...spirited, headstrong, that ye'd no blush to share your thoughts on any matter, versed in it or no."

Haha! This line is a keeper, and pretty much nails Claire's personality. <g> Considering that Laura Donnelly has announced that she won't be returning as Jenny in Season 4, it's good to hear from Jenny indirectly, so to speak.

I love the costumes at the party. Claire's hairstyle took me by surprise -- it's very unusual to see her with her hair down like that -- but I liked the look, once I got used to it. Good to see they remembered Jocasta's friend, Farquard Campbell. He's shorter and considerably younger than I pictured him from the books.

"The Indians were on these lands first," Young Ian says. That strikes me as a VERY modern, 21st-century, PC attitude, something I wouldn't have expected from him. I think they're trying too hard to portray Young Ian as sympathetic toward the Native Americans, considering he hasn't actually encountered any yet.

And again, we see Ulysses quietly assisting Jocasta when she appears in front of her guests.

Jocasta's announcement that she intends to make Jamie her heir was certainly unexpected, but Jamie doesn't show much reaction. I would have expected him to be more startled, even angry, that she'd made that decision without even consulting him. But I suppose he didn't want to make a scene in front of all those guests, so he put on the sort of expressionless mask that we've seen Book Jamie assume many times.

But even when he and Claire are alone, he doesn't show any reaction. He analyzes it rather dispassionately, calling the move "calculated, something Colum or Dougal might have done", giving no hint of his own feelings. I didn't like that.

Jamie's first impulse, when Claire insists vehemently that she can't own slaves, is to propose that maybe they could work to make the slaves' lives better -- "a spark that might light a fuse" -- and he seems completely oblivious to the look of misery on Claire's face. That seems totally out of character for Jamie, who is generally so attuned to what Claire wants and needs, and I didn't like it at all.

The next scene, where Jocasta and Farquard Campbell discuss the details of the proposed arrangement with Jamie, is just terrific, very well-written and well-acted. James Barriscale, who plays Farquard, is wonderful, with a very commanding on-screen presence.

I liked the fact that Jamie refused the fat purse full of coins that Farquard handed him.

Farquard's reaction to Jamie's desire to free the slaves is very well done, and provides a welcome bit of overt conflict and drama in an episode that's so far been mostly talk. Listening to him methodically lay out all of the steps that would need to be taken in order to free the slaves, it rapidly becomes clear (to Jamie and to the viewers) how impossible this is.

"Ye canna put a price on freedom!"
"But the Assembly can, and does. One hundred pounds sterling a slave. That's over 15,000 pounds!"


"You are newly come to North Carolina, and ye dinna comprehend the difficulties you will not only face, but also bring about, by entertaining such outlandish notions!"

Good line (I always smile whenever anyone uses that word "outlandish" <g>), and he's right. Jamie is an "outlander" here in many ways, unfamiliar with the local laws and customs, and somewhat out of his element.

In the next scene, where Jamie and Claire discuss Governor Tryon's offer of land, I don't understand why Claire is so set against the idea. "Accepting Tryon's offer will lead us to fighting in another war" -- why? At this stage, they still have plenty of time before the Revolution gets underway. But Jamie seems interested in the idea -- his eyes light up when he talks about recruiting settlers for the land.

Unlike in the book, no one utters a word of protest when Claire insists on accompanying them to the sawmill, despite the obvious danger. I rolled my eyes at the idea of Claire reattaching Byrnes' severed ear, and I'm glad they didn't pursue that idea.

The sight of the slave impaled on the hook is horrific, just as it's described in the book. I liked the way Jamie reacted, angrily ordering them to cut the man down and pointing his pistol in Byrnes' face. This is the Jamie we know from the books, and I'm glad to see it.

Farquard, to his credit, reacts appropriately to the situation, saying, "Your lawlessness will not be tolerated, no matter the provocation."

I was surprised by Claire's insistence on taking the injured slave back to the house for treatment, but I didn't really have a problem with it. It makes the whole situation in the rest of this episode much more dramatic and suspenseful. And it's consistent with her assessment in the book:
It was slowly dawning on me that the man I touched was possibly not fatally wounded, in spite of his horrible injury. From everything I could sense and feel, I thought that the curve of the hook had gone upward through the liver. Likely the right kidney was damaged, and the jejunum or gallbladder might be nicked--but none of those would kill him immediately.

It was shock that might do for him, if he was to die quickly. But I could see a pulse throbbing in the sweat-slick abdomen, just above the piercing steel. It was fast, but steady as a drumbeat; I could feel it echo in the tips of my fingers when I placed a hand on it. He had lost blood--the scent of it was thick, overpowering the smell of sweat and fear--but not so much as to doom him.

An unsettling thought came to me--I might be able to keep this man alive. Likely not; in the wake of the thought came a flood of all the things that could go wrong--hemorrhage when I removed the hook being only the most immediate. Internal bleeding, delayed shock, perforated intestine, peritonitis--and yet.

At Prestonpans, I had seen a man pierced through the body with a sword, the location of the wound very much like this. He had received no treatment beyond a bandage wrapped around his body--and yet he had recovered.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 11, "The Law of Bloodshed". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
Of course it didn't happen that way in the book, but here we're going to see that scenario played out to its logical conclusion.

Back at Jocasta's house, I laughed a little when I realized that they were going to do a variation of the surgery-on-the-dining-table scene from the book. Claire's whole demeanor in this scene, making her preparations, reminded me vividly of William's description in ECHO of Claire as "the curly-wig giving orders like a sergeant-major." (AN ECHO IN THE BONE, chapter 56, "While Still Alive")

The medical box Jamie gave Claire in Episode 401 is really coming in handy in this scene! <g>

In the middle of this life-and-death situation, Jocasta walks in, unaware of what's going on. Naturally she's horrified, but at least she doesn't order Claire to stop what she's doing.

The contrast between the gory scene in the dining room and the very genteel, civilized atmosphere in Jocasta's parlor is very striking.

"Rufus is under my protection," Jamie says. That line isn't in the book, but I thought it was a good addition. Still, it's by no means enough to defuse the situation. I liked the way Jamie stepped away from Jocasta at the end of the scene, leaving her alone to make her decision.

Meanwhile, Claire tends to Rufus, who is awake and asking questions.

"Why did you heal me, Mistress?"
"Well, why wouldn't I?"

Good answer. Short and succinct, and it's the truth, after all.

"From what I can tell, that Byrnes is a son of a bitch." LOL! Good line.

Rufus's story of being abducted with his sister and sold into slavery is tragic, of course, but it also helps to humanize him, making it easy to empathize with his situation. Young Ian is unusually subdued after that, obviously seeing the parallels between what happened to Rufus and his own experience of being kidnapped and forced onto a ship against his will.

In the hallway, Claire encounters Ulysses, "keeping an eye on things". He informs Claire that by saving Rufus's life, she may have condemned him to a much worse fate: "It would have been better for us all had he died on this hook." And the dramatic tension cranks up another notch: what are they going to do now?

I liked Claire's reaction to the news that Rufus is to be turned over to the authorities to be executed. She responds exactly as I hoped she would: "No! No, I can't do that." And this time, Jamie shows sensitivity to her feelings, whispering, "I wish there was another way."

The circumstances are somewhat different than in the book, but the end result is the same. This is a tragic, no-win situation, a moral dilemma with no easy answers, just as it was in the book.
"If I save him, will they let him live?” I asked him, under my breath.

His eyes flicked from one to another of the men behind me, weighing the possibilities.

“No,” he said softly. His eyes met mine, dark with understanding. His shoulders straightened slightly, and he laid the pistol across his thigh. I could not help him make his choice; he could not help with mine--but he would defend me, whichever choice I made.

(From DRUMS OF AUTUMN by Diana Gabaldon, chapter 11, "The Law of Bloodshed". Copyright© 1997 by Diana Gabaldon. All rights reserved.)
And suddenly there's an angry mob gathered outside, demanding Rufus's blood. Jocasta goes out to talk to them, leaving Jamie alone with Claire.

"I ken ye swore an oath to do no harm, but perhaps ye could aid him the way you did Colum?"

He's referring to Claire giving Colum the dose of "yellow jasmine" in Episode 212 ("The Hail Mary") that was intended as a means for him to take his own life. So here, unlike in the book, it's Jamie who comes up with the idea to deliberately give Rufus a drug that would kill him.

"I'm going to make you a tea," she tells Rufus. We don't learn what's in it, but it apparently takes some time to take effect. Claire helps him to drink it, then sits with the dying man, holding his hand, talking soothingly to him -- just as she did in Episode 104 ("The Gathering"), with Geordie, the man who was fatally injured during the tynchal -- encouraging him to focus on memories of his sister, in happier times.

"I watch the moonlight on water, and I think, Abena might be somewhere, under the same moon. And I dream--I dream I might see my sister again one day." Awwww, that's sad.

When the clock struck midnight, I thought, judging from the sound, that it must have been a church bell or something like that. Maybe it was just my imagination, but the sound seemed much too loud, way out of proportion to what I would have expected from a grandfather clock.

As Claire settles the dead slave's hands across his chest, you can see that this is the bit they included in the opening credit sequence. It didn't mean anything to me before, but now, every time I see that bit in the opening credits, I'll think of this very poignant moment, with Jamie and Claire kneeling at the dead man's bedside, praying for his soul.

And as the mob drags Rufus away, fixes the noose around his neck and strings him up from a tree within sight of that grand mansion, I saw the expressions on Jamie and Claire's faces and thought, that's it, the decision is made and there's no going back now. There's just no possible way they can stay here, after what's happened.
I hope you enjoyed this recap. Look here for my recaps of all of the OUTLANDER episodes so far, and please come back next week to see my recap of Episode 403.

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